Beginning "The End of Poverty"
Bono and Sachs: Does The Edge feel left out?
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The question of the place of science in human life is not a scientific question. It is a philosophical question. Scientism, the view that science can explain all human conditions and expressions, mental as well as physical, is a superstition, one of the dominant superstitions of our day; and it is not an insult to science to say so. For a sorry instance of present-day scientism, it would be hard to improve on Daniel C. Dennett’s book. “Breaking the Spell” is a work of considerable historical interest, because it is a merry anthology of contemporary superstitions.
According to draft rules for the lunar lander contest, competitors will be challenged to build a vehicle capable of launching vertically, travel a distance of 328 to 656 feet (100 to 200 meters) horizontally, and then land at a designated site. A return trip would then occur between 5 minutes and 30 minutes later.
Pacific islanders are a source of hope for other Christian communities seeking a culturally-based communal economy based on sharing and cooperation, participants at a global church gathering have heard. During the 14-23 February ninth assembly of the World Council of Churches some participants have identified Pacific island communities as an alternative to the type of economic globalisation that happens under regulations adjudicated by the World Trade Organization (WTO). [523 words, ENI-06-0186]
What is most striking, so far as the movies’ treatment of capitalism goes, is not the hostility of films whose main purpose is actually to indict corporate wickedness (Wall Street, Erin Brockovich, A Civil Action, The Insider, The Constant Gardener, and so forth). It is the idea of routine, reckless corporate immorality—maintained as though this premise were inoffensive, uncontroversial, and hardly worthy of comment—that drives movies whose principal interest lies elsewhere, whether in the human drama of contemporary geopolitics (Syriana, to cite a recent instance), knockabout comedy (Fun with Dick & Jane), children’s fantasy (Charlie and the Chocolate Factory), star-crossed romance (In Good Company), or, classically, in some dystopian near or distant future (Alien, The Terminator, Blade Runner, Robocop, and many others).
The point is not that such movies, or the culture more generally, argue that capitalism is evil. Just the opposite: it is that they so often merely assume, innocently and expecting to arouse no skepticism, that capitalism is evil.
Mon, 10/13/2008 13:58
"Is it really a ‘justifiable’ expression of moral, corporate, or personal responsibility to make a fast buck, at any [...]