Religion & Liberty Online

Sunset Boulevard: A haunting look at spiritual emptiness

(Image credit: Paramount Pictures)

In the classic 1950 film Sunset Boulevard, the character of film star Norma Desmond, played by Gloria Swanson, declares, “I am big. It’s the pictures that got small.” I watched Sunset Boulevard for the first time last night, thanks to the recommendation from a friend in Virginia. As a fan of classic films, I had high hopes for this film, which was directed by Billy Wilder. Wilder also directed one of my favorite classics films, Stalag 17.

William Holden starred in the film, playing a Hollywood script-writer named Joe Gillis. It is evident Gillis is an out of work and down on his luck kind of guy. Gillis meets Desmond when he is trying to flee the men attempting to repossess his automobile. He has a blowout and parks in the garage of what appears to be an abandoned mansion, which is owned and inhabited by Desmond and her butler. The dark, sinister, and shady side of Hollywood takes off from there. Desmond is a former silent movie super star, now washed up and forgotten. She hires Gillis, in the belief he can help launch her “return” to Hollywood glory by editing her movie script. If you are interested in an overview of the entire plot, check out this film site.

Sunset Boulevard masterfully portrays the emptiness of self love and selfishness gone mad. It is equally a haunting look at spiritual emptiness and decay. I was drawn in by the dramatic acting of Gloria Swanson, who turns into a warped and pathetically sad individual as she continually plots her return, which is in reality only in her mind. The dramatic scene at the end is a captivating portrayal of this madness at its pinnacle. The film was obviously controversial, because it exposed such a negative and dreary portrayal of Hollywood in its heyday.

The film is packed with powerful imagery and symbolism. In addition, the powerful use of black and white was phenomenal, which was made all the more haunting when coupled with the musical score. What is also powerful, is that the film is so relevant for today’s audiences. One look at Hollywood gossip shows, Hollywood worship television shows, and the self love, narcissistic culture, makes this clearly evident.

As a Christian, the film scores big as a reminder of the decay and shallowness of a life that pursues vanity, greed, and narcissism. It also reminds us that sin has consequences. Many of us are aware of people who are locked in the prison of their shallow, self-loving world. The probing question being, are we a community that seeks to be saved, and sacrifice for others, or a society seeking instant gratification? The vexing question has even found its way into the Church, in the form of prosperity gospel theology. But those who know the power and truth of real freedom, know Christ. We are made whole and complete in the sacrifice, suffering, and resurrection of Christ. The Apostle Paul said in 2nd Corinthians, “For you know the grace of our Lord Jesus Christ, that though he was rich, yet for your sakes he became poor, so that you through his poverty might become rich.” Paul also notes in Romans , “We share in his sufferings in order that we may also share in his glory.”

Ray Nothstine

Ray Nothstine is editor at the Civitas Institute in Raleigh, North Carolina. Previously, he was managing editor of Acton Institute's Religion & Liberty quarterly. In 2005 Ray graduated with a Master of Divinity (M.Div) degree from Asbury Theological Seminary in Wilmore, Ky. He also holds a B.A. in Political Science from The University of Mississippi in Oxford.