Marriage Movie
Opening this weekend in many markets is an enjoyable movie with a meaningful message, Fireproof.
My wife and I had the opportunity to screen it a few weeks ago, and came away impressed. The story behind the story is itself interesting: A Georgia church decided several years ago to try to influence the culture in a positive way, and determined that making movies was the way to do it. They enlisted a handful of professionals, but in large part the effort was amateur. Their second attempt, Facing the Giants, enjoyed some success—great success, considering the film’s resources and provenance. (They made an earlier picture, too, Flywheel, which I have not seen.)
I watched Facing the Giants only after I saw Fireproof. The latter is a much superior product, both in message and production quality. The Giants storyline reflected a facile “health and wealth” gospel: if you give your life to Jesus, all good things will come to you (even a new truck!).
Echoes of Giants’ screenplay, acting, and theme problems are still present in the third movie, but Fireproof improves enough in every area to make it a compelling drama. Kirk Cameron, as leading man, Caleb Holt, is very good. In an odd way, the acting novices, though obviously not as polished as professionals, bring emotional credibility to the story. The film’s frequent and effective episodes of comic relief provide just enough respite from the strong moral theme: the search for genuine love in the context of the institution of marriage.
In light of the mounting evidence that healthy marriages are vital to the maintenance of a free and virtuous society, it’s a theme that PowerBlog readers ought to find relevant.
If it’s available in your area and you’re looking for a couple hours of edifying entertainment, you might want to check it out.
My wife and I had the opportunity to screen it a few weeks ago, and came away impressed. The story behind the story is itself interesting: A Georgia church decided several years ago to try to influence the culture in a positive way, and determined that making movies was the way to do it. They enlisted a handful of professionals, but in large part the effort was amateur. Their second attempt, Facing the Giants, enjoyed some success—great success, considering the film’s resources and provenance. (They made an earlier picture, too, Flywheel, which I have not seen.)
I watched Facing the Giants only after I saw Fireproof. The latter is a much superior product, both in message and production quality. The Giants storyline reflected a facile “health and wealth” gospel: if you give your life to Jesus, all good things will come to you (even a new truck!).
Echoes of Giants’ screenplay, acting, and theme problems are still present in the third movie, but Fireproof improves enough in every area to make it a compelling drama. Kirk Cameron, as leading man, Caleb Holt, is very good. In an odd way, the acting novices, though obviously not as polished as professionals, bring emotional credibility to the story. The film’s frequent and effective episodes of comic relief provide just enough respite from the strong moral theme: the search for genuine love in the context of the institution of marriage.
In light of the mounting evidence that healthy marriages are vital to the maintenance of a free and virtuous society, it’s a theme that PowerBlog readers ought to find relevant.
If it’s available in your area and you’re looking for a couple hours of edifying entertainment, you might want to check it out.
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