I and Jordan Ballor have already commented on Ender’s Game this week (here and here), but the story is literally packed with insightful themes, many of which touch upon issues relevant to Acton’s core principles. Another such issue is that of the problems with Neo-Malthusianism, the belief that overpopulation poses such a serious threat to civilization and the environment that population control measures become ethical imperatives.
Such a perspective tends to rely on one or both of the following fallacies: a zero-sum conception of economics ignorant of the last 200 years of sustained economic growth, which have allowed humankind to escape the Mathusian trap; or a belief that people are the problem when it comes to poverty.
In Ender’s Game, the story begins (more obviously in the book) with the fact that Ender Wiggen (Asa Butterfield) is a “Third,” a third-born child in a time when the international government of Earth had adopted a two-child policy. His parents had received special permission to have a Third because their first two children, Peter (Jimmy Pinchak) and Valentine (Abigail Breslin), had shown so much promise. Unfortunately, Peter had proven too aggressive and Valentine too compassionate. The government hoped that Ender would be a happy middle. (more…)