World Youth Day being held in Madrid August 16-21 will be an important opportunity for Pope Benedict XVI to speak regarding Europe’s Christian roots. George Weigel summarized some remarks from the Holy Father to religious and cultural leaders in Zagreb, Croatia. The pope spoke on many important topics including freedom, free society, human rights, and democracy. It is important to note that though obvious to many Americans, these points are still “wildly counter-cultural” in Europe. Like Weigel, I hope someone takes notice to help bring needed religious, political, business and cultural change to Europe.

Read more on Benedict XVI on Europe’s Future…

In the opening scenes of the classic movie version of Thorton Wilder’s play “Our Town” the narrator tells us that the newspaper boy we are watching toss papers onto the porches nearby will go on to college — an ivy league college I recall — but is sent to Europe during WWI and dies. “All that education for nothing,” he laments.

Read more on How Comfy Are Faculty Lounges…

Chester E. Finn Jr. served with William J. Bennett [The Book of Virtues et al] in The Department of Education under President Reagan from 1985 to 1988 — that point in Reagan’s presidency when the talk of shutting down the Department had been abandoned.

Read more on A Checkered Future?…

What’s wrong with populism? Nothing, necessarily. But, to hazard a tautology, populism is only as good as the people. I think this territory was covered pretty well by Alexis de Tocqueville, whose view was in turn covered pretty well by Sam Gregg in his commentary of a couple weeks ago:

Read more on PBR: Only as Good as the People…

Last week Arthur C. Brooks, president of the American Enterprise Institute, made the case for “ethical” populism. Speaking of the Tea Party phenomenon, he writes,

the tea parties are not based on the cold wonkery of budget data. They are based on an “ethical populism.” The protesters are homeowners who didn’t walk away from their mortgages, small business owners who don’t want corporate welfare and bankers who kept their heads during the frenzy and don’t need bailouts. They were the people who were doing the important things right — and who are now watching elected politicians reward those who did the important things wrong.

There are of course many variations on a theme, ranging from Brooks’ “ethical” populism, to Dreher’s “crunchy” conservatism, to blatant political pandering.

Read more on PBR: Politics and Populism…

Writing on the Big Hollywood blog, Dallas Jenkins asks the question: “Why are Christian Movies So Bad?” Jenkins, a filmmaker and the son of “Left Behind” novelist Jerry Jenkins, points to a number of telling reasons for the glaring deficit in artistic accomplishment, what you might call the dreck factor, that is evident in so many films aimed at the faithful. Jenkins’ critique points to something we’ve been talking about at Acton for some time: the need for conservatives to understand and master the art of narrative, not just the rhetorical skills that have served them so well in politics and policy. Jenkins says:

The problem is that everyone knows good art should always put story and character above message. Message films are rarely exciting. So by their very nature, most Christian films aren’t going to be very good because they have to fall within certain message-based parameters. And because the Christian audience is so glad to get a “safe, redeeming, faith-based message,” even at the expense of great art, they don’t demand higher artistic standards. So aspiring filmmakers who are Christians have little need to perfect their craft, and Christian investors have little need to spend a lot of money because the message is going to be most important anyway. Add in the fact that the average heartland Christian couldn’t care less what a critic thinks — if anything, they assume they’ll feel the opposite of a movie critic — and you’ve got even less incentive for Christian filmmakers to be obsessed with quality.

Or, as producer Samuel Goldwyn has often been quoted as saying, “Pictures are for entertainment, messages should be delivered by Western Union.”

Does the left make “message” movies? Sure, all of the time (think of just about any George Clooney picture). And these agit-prop productions frequently bomb. But Jenkins is is correct in pointing out that generally speaking the cultural right still hasn’t mastered even the rudiments of cinema storytelling. This is a grave problem because America’s chief myth making industries — feature films, television entertainment, book publishing, popular music — are largely the province of the cultural left. Then again, if you’re in that camp, you could plausibly argue that, “We’re just better at this stuff.”

The power of narrative lies in its ability to reach the whole person, the heart and the head. It begins by creating an effect on the emotions — moving a person — and can register indelibly in human memory. Thus, narrative can serve as a powerful means of communicating ideas, but not primarily in message form. It works at a deeper level, sometimes tapping into the mythic consciousness of an entire people. That is why narrative is essential for political mass movements; once you get the hearts and the minds of the people excited, you can then move their feet in the direction you want them to go. Most recently, this political narrative form has been used artfully by candidate and now President Barack Obama (see “Obama and the Moral Imagination”). Read more on PBR: Cheesy Christian Movies and the Art of Narrative…

No, conservative and Christian are not synonymous, but in the context of the cultural impact of Hollywood, there’s a lot of overlap. For Christians interested in engaging this field by pursuing both technical and moral excellence, there is an outstanding organization called Act One.

Read more on PBR: Cinematic Christians…

Writer Andrew Klavan, picking up on a theme he addressed at Heritage Resource Bank, posted an essay titled “Toward A New American Culture” on his Pajamas Media blog, Klavan on the Culture. Excerpt:

Read more on PBR: Klavan on a ‘New American Culture’…

We welcome guest blogger Bruce Edward Walker, Communications Manager for the Property Rights Network at the Mackinac Center for Public Policy. This week’s PBR question is: “How should conservatives engage Hollywood?”

It is true that liberal depictions of dissolute and immoral behavior are rampant in modern cinema and justified as the desired end of hedonistic tendencies, but conservative critics too often come across as cultural scolds, vilifying films and filmmakers for not portraying reality as conservatives would like to see it. For many conservative critics, the only worthwhile contemporary movies made are adaptations of C.S. Lewis’ Narnia series or those that feature Kirk Cameron in a starring role. The verisimilitude inherent in all compelling storytelling is neglected in favor of presenting idealized worlds in which a clearly defined good always overcomes easily identified evil.

Such an approach is simplistic and insults those of us that can recognize the presence of moral themes in the works of Graham Greene, Flannery O’Connor and Tom Wolfe, and don’t automatically blanch at cursing, violence, sex and nudity when it serves a real dramatic purpose. Humanity, of course, is fallen and it’s foolish to expect conservative audiences to respond only to films that depict all marriages as salvageable, all protagonists as heroic metaphors for Christ and all heroines as virgins until the wedding night. Reality teaches us that these scenarios are the exceptions rather than the rule.

Felix culpa – the fortunate fall from whence one can experience God’s grace – is the phrase St. Thomas Aquinas used to explain how God allows evil to exist in order to allow for the greater good of His redemption. For all the decadence he depicted, for example, French poet Charles Baudelaire was perceived by none other than T.S. Eliot as still entering the Church albeit through the back door. Read more on PBR: Film and the Felix culpa…

One of the more interesting discussions at last week’s Heritage Foundation Resource Bank meeting in Los Angeles was the “Hollywood Conversations” session with screenwriter and novelist Andrew Klavan and Lionel Chetwynd, a writer, producer and director. Both men pleaded with the gathering of conservatives — social, political, economic — to stop beating up on Hollywood ad nauseam and to do more to support good work by conservatives.

Read more on PBR: Conservatives and Hollywood…