But there was another kind of “idol” on display at the AMAs, as Detroit’s own Kid Rock was a presenter and did a spoof of his fight with rocker Tommy Lee in a comedy bit with host Jimmy Kimmel. Kid Rock released a new album last month, “Rock N Roll Jesus,” which received 4 out of 5 stars from Rolling Stone.
My dad, who is a arts and entertainment editor at a daily newspaper, played the title track for me a few weeks ago and asked what I thought. I said, “It’s pretty offensive.” Here’s a sample of the lyrics:
It’s a Rock revival
Don’t need a suit
Ya don’t need a bible
Get up and dance
I’m gonna set you free yeah
It’s all sex, drugs, rock n roll
A soul sensation that you can’t control
And you can see I practice what I preach
I’m your rock n roll Jesus
Yes I am
In his RS review, Anthony Decurtis says that Kid Rock latches “onto the verities of sex, drugs and rock & roll as a path to redemption — both his and the country’s.” The holy trinity of the Father, Son, and Holy Spirit are replaced by Kid Rock’s worldly triumvirate of sex, drugs, and rock & roll. It’s ironic that Kid Rock points to the licentiousness of American culture as the means for its “redemption.” If there’s anything that threatens America’s stature internationally, right at the top has to be the perception of rampant immorality communicated by American popular culture.
There’s a great deal of religious language and imagery used in the song (if you absolutely must hear it, there’s a live performance video here).
In a sermon on Revelation 17 this Sunday, my preacher described blasphemy as the appropriation of language fit only for God by a creature. The revelator saw “a scarlet beast that was covered with blasphemous names.” That’s exactly what Kid Rock’s “Rock N Roll Jesus” is: blasphemous.
After my dad agreed that the song was such, I expressed wonderment at how far culture has come. In 2007 Kid Rock can claim to be the “Rock N Roll Jesus” offering the worldly allurements of “sex, drugs, and rock & roll,” can debut at #1. Contrast this with the public outcry in 1966 when the infamous comment from John Lennon about the Beatles being “more popular than Jesus” was made.
But perhaps a better analogue in Revelation 17 to Kid Rock’s album as representative of popular culture isn’t the beast, it’s the drunk prostitute Babylon: “the mother of prostitutes and of the abominations of the earth,” who is faced with destruction by the beast and its minions. They will turn on the prostitute with derision, and “will bring her to ruin and leave her naked; they will eat her flesh and burn her with fire.”
No doubt many undiscerning and eager-to-be-relevant emergent Christians will grasp at Kid Rock’s record as a cultural “impact point.” Too often Christians are satisfied with any religious reference, even one that is blatantly blasphemous, to justify our consumption of popular culture. Certainly the linkage of Kid Rock to Scott Stapp could be improperly construed as further evidence of Rock’s righteousness (Stapp is the former frontman for the band Creed, who says, “I am a Christian.” The link above is to a story about the release of a sex tape involving both Kid Rock and Scott Stapp in 2006).
Kid Rock is right about one thing at least: “The time has come to settle and the devil’s gonna make u choose.”
Or as Jesus Christ (the real one) said: “He who is not with me is against me, and he who does not gather with me scatters.”
More: “Christian Parents Are Not Comfortable With Media But Buy Them for Their Kids Anyway,” The Barna Update.