The Acton Institute’s film “The Birth of Freedom” is a treat to watch again and again. But there is a rather dramatic effect towards the end of the film when the relationship of The Cathedral at Notre Dame and the cubist Grand Arche, located in the Parisienne arrondissement La Defense but dedicated to humanitarian “ideals” rather than military victories, are contrasted with musical and cinematic styling that borders on being overdone. That is until you enter the world of National Public Radio et al as I did recently when listening to a broadcast of “Arts Alive” on KUSC, the station of The University of Southern California. (Some readers might want to think “Pete Carroll” to get their bearings.)




