Subsidiarity is often described as a norm calling for the devolution of power or for performing social functions at the lowest possible level. At the Manning Networking Conference in Ottawa, Rev. Robert Sirico told a story about stickball that illustrates how the concept of subsidiarity applies in our neighborhoods.
Yesterday was the third anniversary of Chuck Colson’s passing. The Acton Institute had the privilege of conducting the last public interview with Chuck before his death. It serves as a wonderful introduction to and reminder of Chuck’s love for Christ and his world.
While living in Nigeria, a twenty-four-year old woman named Ope met a man offering to help her find employment abroad. She was told she would be working as a nanny or in a factory. Instead, she was forced into prostitution. “It was like I was a slave,” she says.
Leonard Nimoy, best known for his role as Spock in the Star Trek television series and movies, passed away last week. For many of us, it was a sad event. Nimoy had created a memorable character that is an enduring and endearing part of our pop culture lexicon. While my colleague Jordan Ballor took a look last week at Spock’s “live long and prosper” tagline, I’d like to refer to the more human side of Spock and the world of Star Trek.
Stephen D. Greydanus at the National Catholic Registerreflects on what Nimoy and Star Trek taught us about humanity. The series creator, Gene Rodenberry, envisioned a world where poverty had been eliminated, money was unnecessary, and creatures of very different origins learned to work together for peace and mutual respect. (more…)
Jeffrey Tucker speaks at the 2015 Acton Lecture Series
It’s always good to welcome old friends to the Acton Building. Last week it was our pleasure to welcome Jeffrey Tucker, author, speaker, and the founder and Chief Liberty Officer of Liberty.me to Grand Rapids in order to deliver the first Acton Lecture Series lecture of 2015, entitled “Capitalism is About Love.” (We’ll be posting audio and video of his address later this week.)
Jeffrey took some time to join me in the Acton Studios to talk about the premise of his lecture, and about his take on the state of the world as we head into 2015. You can listen to the latest edition of Radio Free Acton featuring my interview with Jeffrey Tucker via the audio player below.
The film industry quite often gets religion wrong. Either the industry completely misunderstands faith (think Noah and the recent Exodus), or the movies are so saccharine that theaters ought to offer diabetes testing for movie-goers on the way out of the theater (Left Behind and anything else Kirk Cameron has been involved with). This is really too bad, because movies are an art form that have the power to move us, to make us think, to ponder more deeply critical questions of our fallen human nature, our relationships with others and with God.
Zelda Caldwell, at Aleteia, has put together a nifty list of ten great religious films you can watch now on Netflix. Each of these has their own merit, and there is a nice range of films included. I’ll note just a few here: (more…)
It is award season in Hollywood. Nearly every weekend for the next few months, there will be a parade on some red carpet, commentators bashing some actress on her wardrobe choice, and self-aggrandizing speeches from people who seem to know little about life outside of a West Coast mansion and an East Coast apartment.
Last night, at the Golden Globes, one speech stood out. Michael Keaton has worked steadily for years as an actor, but has never been recognized as one of the greats in his field. He’s best known for a regrettable turn as Batman, and as an obnoxious ghost in Beetlejuice. However, Keaton has garnered acclaim for his role in Birdman, playing a washed-actor who attempts a career comeback on Broadway. Last night, Keaton won best actor in a motion picture, comedy or musical at the Golden Globes. (more…)
Friedrich Hayek once called intellectuals “professional secondhand dealers in ideas.” And the Preacher proclaimed, “There is nothing new under the sun.” So perhaps it shouldn’t be surprising when ideas, memes, and other cultural phenomena pop up again and again.
I first noticed the song, which heretofore had been background Christmas muzak, when we screened the new documentary Poverty, Inc. earlier this year at the Acton Institute offices. That film includes a section discussing “Do They Know It’s Christmas?”
When Christmas rolled around, I had the idea to write something about the song, and connected it with William Easterly’s analysis of the differing perspectives on development offered by Gunnar Myrdal and Hayek. But I now think that even though I hadn’t read Loftis’ piece, I had seen the title before I wrote my piece. In fact, I checked Ben Domenech’s excellent email newsletter The Transom, to which you should subscribe, and there on December 3 is the following: ‘“Do They Know It’s Christmas” is the worst Christmas song ever. http://vlt.tc/1qf7‘
No doubt I saw the link, and got the idea for calling it the “worst ever” into my head. Then some days later I connected it to the Poverty, Inc. clip and wrote my piece. So the idea for calling this the worst Christmas song ever must be credited to Loftis and The Federalist. I’m sorry that I didn’t realize that Loftis’ piece had already appeared, or I would have pointed to it earlier, and given credit for the idea straight away. So in the interests of disclosure, I certainly haven’t been the only one to criticize this song or even to call it the “worst Christmas song ever.” I guess I’ve got egg(nog) on my face. The variety of voices that find the song problematic, however, should be a indication that there’s something rotten in “Do They Know It’s Christmas?” It is, after all, a song that includes a toast like this: “Here’s to them underneath that burning sun.”
“Do They Know It’s Christmas?” is like a bad earworm that won’t go away. And now I really, really hate that song!
Frank Capra’s ‘It’s Wonderful Life’ is one of the greatest movies of all time. It’s a Christmas classic and also—as I’ve always thought—a conservative classic, a film whose themes align closely with traditional conservatism.
But not everyone agrees on the politics of Bedford Falls. Keith Miller and Chris Schaefer debate whether themes of the movie lean more liberal or more conservative. Naturally, I agree with Miller’s small government assessment: (more…)