Posts tagged with: Entertainment/Culture

Blog author: jcarter
Thursday, April 23, 2015
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Subsidiarity is often described as a norm calling for the devolution of power or for performing social functions at the lowest possible level. At the Manning Networking Conference in Ottawa, Rev. Robert Sirico told a story about stickball that illustrates how the concept of subsidiarity applies in our neighborhoods.

(Via: Cardus)

Blog author: jballor
Wednesday, April 22, 2015
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Yesterday was the third anniversary of Chuck Colson’s passing. The Acton Institute had the privilege of conducting the last public interview with Chuck before his death. It serves as a wonderful introduction to and reminder of Chuck’s love for Christ and his world.

While living in Nigeria, a twenty-four-year old woman named Ope met a man offering to help her find employment abroad. She was told she would be working as a nanny or in a factory. Instead, she was forced into prostitution. “It was like I was a slave,” she says.

The BBC has put together an animated version of Ope’s story, a heart-rending tale of modern-day slavery.

Blog author: ehilton
Tuesday, March 3, 2015
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Leonard Nimoy as Spock

Leonard Nimoy as Spock

Leonard Nimoy, best known for his role as Spock in the Star Trek television series and movies, passed away last week. For many of us, it was a sad event. Nimoy had created a memorable character that is an enduring and endearing part of our pop culture lexicon. While my colleague Jordan Ballor took a look last week at Spock’s “live long and prosper” tagline, I’d like to refer to the more human side of Spock and the world of Star Trek.

Stephen D. Greydanus at the National Catholic Register reflects on what Nimoy and Star Trek taught us about humanity. The series creator, Gene Rodenberry, envisioned a world where poverty had been eliminated, money was unnecessary, and creatures of very different origins learned to work together for peace and mutual respect. (more…)

Blog author: jballor
Friday, February 27, 2015
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Leonard Nimoy by Gage Skidmore 2.jpgAt the prodding of my friend Victor Claar, here’s a plea based on the significance of the Vulcan salute pioneered by Leonard Nimoy, who passed away today at the age of 83.

Mr. Spock would wish someone farewell by saluting them and saying, “Live long and prosper.” Other Vulcans or those in the know might respond, “Peace and long life.”

Things go in cycles, and we’ve been hearing a lot about “flourishing” lately. I’m a bit tired of it, frankly, and am making a plea for speaking about “prosperity” instead.

At least for today, that seems appropriate (and as long as we remember that, as the preacher of true prosperity put it, “Life does not consist in an abundance of possessions.”).

For more on the religious heritage of the Vulcan salute, check out its origin story.

Jeffrey Tucker at the 2015 Acton Lecture Series

Jeffrey Tucker speaks at the 2015 Acton Lecture Series

It’s always good to welcome old friends to the Acton Building. Last week it was our pleasure to welcome Jeffrey Tucker, author, speaker, and the founder and Chief Liberty Officer of Liberty.me to Grand Rapids in order to deliver the first Acton Lecture Series lecture of 2015, entitled “Capitalism is About Love.” (We’ll be posting audio and video of his address later this week.)

Jeffrey took some time to join me in the Acton Studios to talk about the premise of his lecture, and about his take on the state of the world as we head into 2015. You can listen to the latest edition of Radio Free Acton featuring my interview with Jeffrey Tucker via the audio player below.

from the film "Ida"

from the film “Ida”

The film industry quite often gets religion wrong. Either the industry completely misunderstands faith (think Noah and the recent Exodus), or the movies are so saccharine that theaters ought to offer diabetes testing for movie-goers on the way out of the theater (Left Behind and anything else Kirk Cameron has been involved with). This is really too bad, because movies are an art form that have the power to move us, to make us think, to ponder more deeply critical questions of our fallen human nature, our relationships with others and with God.

Zelda Caldwell, at Aleteia, has put together a nifty list of ten great religious films you can watch now on Netflix. Each of these has their own merit, and there is a nice range of films included. I’ll note just a few here: (more…)

Michael Keaton in "Birdman"

Michael Keaton in “Birdman”

It is award season in Hollywood. Nearly every weekend for the next few months, there will be a parade on some red carpet, commentators bashing some actress on her wardrobe choice, and self-aggrandizing speeches from people who seem to know little about life outside of a West Coast mansion and an East Coast apartment.

Last night, at the Golden Globes, one speech stood out. Michael Keaton has worked steadily for years as an actor, but has never been recognized as one of the greats in his field. He’s best known for a regrettable turn as Batman, and as an obnoxious ghost in Beetlejuice. However, Keaton has garnered acclaim for his role in Birdman, playing a washed-actor who attempts a career comeback on Broadway. Last night, Keaton won best actor in a motion picture, comedy or musical at the Golden Globes. (more…)

Friedrich Hayek once called intellectuals “professional secondhand dealers in ideas.” And the Preacher proclaimed, “There is nothing new under the sun.” So perhaps it shouldn’t be surprising when ideas, memes, and other cultural phenomena pop up again and again.

There is, however, a notable correspondence between an Acton Commentary that I wrote earlier this month, “The Worst Christmas Song Ever,” and a piece that appeared weeks earlier at The Federalist. In “‘Do They Know It’s Christmas’ Is The Worst Christmas Song Ever,” Leslie Loftis takes down this miserable tune in devastating fashion. Loftis points out that the song “has a little of everything to loathe. Condescension. Inane inaccuracies. Smugness. Mullets.”

Whether or not you have read my commentary, you should go check out her case against the song now.

I first noticed the song, which heretofore had been background Christmas muzak, when we screened the new documentary Poverty, Inc. earlier this year at the Acton Institute offices. That film includes a section discussing “Do They Know It’s Christmas?”

Matthea Brandenburg helpfully points out some further commentary by Magatte Wade and others about the song over at the PovertyCure blog.

When Christmas rolled around, I had the idea to write something about the song, and connected it with William Easterly’s analysis of the differing perspectives on development offered by Gunnar Myrdal and Hayek. But I now think that even though I hadn’t read Loftis’ piece, I had seen the title before I wrote my piece. In fact, I checked Ben Domenech’s excellent email newsletter The Transom, to which you should subscribe, and there on December 3 is the following: ‘“Do They Know It’s Christmas” is the worst Christmas song ever. http://vlt.tc/1qf7

No doubt I saw the link, and got the idea for calling it the “worst ever” into my head. Then some days later I connected it to the Poverty, Inc. clip and wrote my piece. So the idea for calling this the worst Christmas song ever must be credited to Loftis and The Federalist. I’m sorry that I didn’t realize that Loftis’ piece had already appeared, or I would have pointed to it earlier, and given credit for the idea straight away. So in the interests of disclosure, I certainly haven’t been the only one to criticize this song or even to call it the “worst Christmas song ever.” I guess I’ve got egg(nog) on my face. The variety of voices that find the song problematic, however, should be a indication that there’s something rotten in “Do They Know It’s Christmas?” It is, after all, a song that includes a toast like this: “Here’s to them underneath that burning sun.”

“Do They Know It’s Christmas?” is like a bad earworm that won’t go away. And now I really, really hate that song!

wonderfullife600_3-480x309Frank Capra’s ‘It’s Wonderful Life’ is one of the greatest movies of all time. It’s a Christmas classic and also—as I’ve always thought—a conservative classic, a film whose themes align closely with traditional conservatism.

But not everyone agrees on the politics of Bedford Falls. Keith Miller and Chris Schaefer debate whether themes of the movie lean more liberal or more conservative. Naturally, I agree with Miller’s small government assessment:
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