It is award season in Hollywood. Nearly every weekend for the next few months, there will be a parade on some red carpet, commentators bashing some actress on her wardrobe choice, and self-aggrandizing speeches from people who seem to know little about life outside of a West Coast mansion and an East Coast apartment.
Last night, at the Golden Globes, one speech stood out. Michael Keaton has worked steadily for years as an actor, but has never been recognized as one of the greats in his field. He’s best known for a regrettable turn as Batman, and as an obnoxious ghost in Beetlejuice. However, Keaton has garnered acclaim for his role in Birdman, playing a washed-actor who attempts a career comeback on Broadway. Last night, Keaton won best actor in a motion picture, comedy or musical at the Golden Globes. (more…)
Friedrich Hayek once called intellectuals “professional secondhand dealers in ideas.” And the Preacher proclaimed, “There is nothing new under the sun.” So perhaps it shouldn’t be surprising when ideas, memes, and other cultural phenomena pop up again and again.
I first noticed the song, which heretofore had been background Christmas muzak, when we screened the new documentary Poverty, Inc. earlier this year at the Acton Institute offices. That film includes a section discussing “Do They Know It’s Christmas?”
When Christmas rolled around, I had the idea to write something about the song, and connected it with William Easterly’s analysis of the differing perspectives on development offered by Gunnar Myrdal and Hayek. But I now think that even though I hadn’t read Loftis’ piece, I had seen the title before I wrote my piece. In fact, I checked Ben Domenech’s excellent email newsletter The Transom, to which you should subscribe, and there on December 3 is the following: ‘“Do They Know It’s Christmas” is the worst Christmas song ever. http://vlt.tc/1qf7‘
No doubt I saw the link, and got the idea for calling it the “worst ever” into my head. Then some days later I connected it to the Poverty, Inc. clip and wrote my piece. So the idea for calling this the worst Christmas song ever must be credited to Loftis and The Federalist. I’m sorry that I didn’t realize that Loftis’ piece had already appeared, or I would have pointed to it earlier, and given credit for the idea straight away. So in the interests of disclosure, I certainly haven’t been the only one to criticize this song or even to call it the “worst Christmas song ever.” I guess I’ve got egg(nog) on my face. The variety of voices that find the song problematic, however, should be a indication that there’s something rotten in “Do They Know It’s Christmas?” It is, after all, a song that includes a toast like this: “Here’s to them underneath that burning sun.”
“Do They Know It’s Christmas?” is like a bad earworm that won’t go away. And now I really, really hate that song!
Frank Capra’s ‘It’s Wonderful Life’ is one of the greatest movies of all time. It’s a Christmas classic and also—as I’ve always thought—a conservative classic, a film whose themes align closely with traditional conservatism.
But not everyone agrees on the politics of Bedford Falls. Keith Miller and Chris Schaefer debate whether themes of the movie lean more liberal or more conservative. Naturally, I agree with Miller’s small government assessment: (more…)
At The Gospel Coalition, Hunter Baker reviews Abraham Kuyper’s Scholarship: Two Convocations on University Life and highlights the significance of the Acton Institute:
The Acton Institute does the kind of work that would have been almost unimaginable in a single organization two or three decades ago. Here we have a think tank that teaches economics and political theory to seminarians and other students of religion, maintains an office near the Vatican, and publishes translations of the works of Abraham Kuyper, one of the most illustrious Reformed thinkers in Christian history. If one ever needed evidence of positive rapprochement for the church in the wake of the Reformation, Acton provides a giant serving.
While Acton has published—through the Christian’s Library Press—some contemporary authors (including yours truly), the big headliner is Kuyper and his translated works. Many American Christians have read his Stone Lectures delivered at Princeton, but most of his output has remained inaccessible. Acton is changing that.
This edition of Radio Free Acton features an interview with Larry Schweikart – drummer, history professor, and producer of the documentary “Rockin’ The Wall” – on the power of music and the influence of rock and roll in undermining communism in the Soviet empire. When we think about the fall of the Berlin Wall, it’s only natural that names like Reagan, Thatcher, and Pope John Paul II come to mind, but there were other elements involved in the battle against communism that also played important roles in its downfall, including cultural influences. How did western rock and pop music help to undermine Soviet Communism? Schweikart, former drummer for Rampage, explains how it happened.
A Note to Readers: The Acton Institute is presenting a special screening of the film Rockin’ the Wall on November 20 in Grand Rapids, Michigan. The event features a talk by Larry Schweikart, who worked closely with the film’s producers and is featured prominently throughout the documentary. To register, click here.
Back in my college days, my friends and I debated the merits of military spending by the then-current administration. As this was the 1980s, featuring two terms of President Ronald Reagan, we took somewhat opposing views on whether the United States could outspend the Union of Soviet Socialist Republics until it – and its odious ideology – collapsed into the dustbin of history. This argument – believe it or not – was adopted by my friend Ron. My friend John – coincidentally named after the president on whose inaugural he was born, John Kennedy – argued that the revolution would come from within the Iron Curtain rather than without. Eastern Europe and the Soviet states wanted Calvin Klein jeans, jazz and rock and roll music, he asserted, and he was convinced that comrades of the Soviet states and its satellites would tear down oppressive regimes to attain artifacts of Western culture. (more…)