Posts tagged with: Entertainment/Culture

Gray Matters, Brett McCrackenIn his 2010 book, Hipster Christianity, Brett McCracken explored the dynamics of a particular cultural movement in (and against) modern evangelicalism. In his new book, Gray Matters: Navigating the Space Between Legalism and Liberty, he pulls the lens back, focusing on how the church more broadly ought to approach culture, particularly when it comes to consuming it.

Though McCracken’s book focuses on just four areas — food, drink, music, and film — his basic framework and the surrounding discussion offers much for Christians to ponder and absorb when it comes to cultural engagement at large.

In an interview with On Call in Culture, McCracken was kind enough to answer some questions on the topic.

Early on, you explain that your book is not about “making culture,” but about “consuming culture well.” Yet you also note how consumption and creation can intersect and overlap. How does our approach to consumption impact our creative output?

In order to be a good creator of culture, one must be a good consumer of it. We will never make great films if we don’t love the greatest films, know the greatest films, and understand why they are great. The best chefs are the ones who love food the most and take the time to consume it well — to pay attention to flavor profiles, to savor tastes that go well together, to understand what cooking methods work and don’t work, etc. The great artists in history didn’t just make their masterpieces from some innate mastery of technique. They studied the masters first and did the work of understanding why one painting or symphony was a masterpiece and why another one wasn’t. They were good consumers before they were good creators. (more…)

EndersGameFormicOver at Think Christian, I take another look at Ender’s Game, focusing on the leitmotif of understanding and communication in Orson Scott Card’s work. This applies particularly to inter-species communication.

We might, in fact, riffing off the Norwegian parody pop song, say that the central question of Ender’s Game is, “What does the Formic say?” Ender is the only one with the genuine curiosity to find out, and doing so is how he moves beyond his bloody calling.

What we find out, in a sense, is that on the Formic understanding, each human being has the dignity and worth of a queen. We are all queens, or as the Bible puts it, made in the image and likeness of God. This reality becomes all the more salient when like the Formic queen, “dynamite with a laser beam,” we too are killer queens, to make another pop culture connection (HT: Dylan Pahman).

A key difference between the film and the book is that the film is pretty thin on answers to that question of inter-species communication. There is much more about what the Formics think and feel in the book. I’ll post some of the relevant sections, which include significant spoilers, below the break. If you have not seen the film, you should not read these sections!

But for those of you who have seen the film, just think about that question of understanding the Formics as you revel in “The Fox (What Does it Say?)”

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When I talk about my time growing up in Los Angeles with my mother, I often describe her motivations for going to Hollywood like this: “She wanted to be a movie star…which means she was a waitress.”

That’s a pretty common experience in an industry as competitive and grinding as film. But increasingly these kinds of challenges are faced by women in less glamorous and more mainstream industries. As a recent BusinessWeek piece put it, “You Can Have Any Job You Want, as Long as It’s Waitress.”
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Blog author: dpahman
posted by on Monday, October 14, 2013

Among many other bizarre claims in his most recent article at The American Conservative, Patrick Deneen writes,

Today’s conservatives are liberals — they favor an economy that wreaks “creative destruction,” especially on the mass of “non-winners,” increasingly controlled by a few powerful actors who secure special benefits for themselves and their heirs….

Pace Inigo Montoya, I actually have no idea what Deneen thinks creative destruction means in this context.

Setting aside the question of whether or not it is a bad thing (or accurate, for that matter) to say that “[t]oday’s conservatives are liberals,” I am far more concerned with how Deneen thinks creative destruction is “wreaked” upon “non-winners.” This is further complicated by his implication that creative destruction supports, rather than threatens, “a few powerful actors.” (more…)

Samuel Gregg, Acton’s Director of Research, joined host Perry Atkinson on Thursday’s edition of Focus Today, which webcasts daily at TheDove.tv. You can watch the interview, which touched on the Syrian crisis and Sam’s latest book, below.

Tea Party Catholic

Tea Party Catholic

In Tea Party Catholic, Samuel Gregg draws upon Catholic teaching, natural law theory, and the thought of the only Catholic Signer of America's Declaration of Independence, Charles Carroll of Carrollton—the first “Tea Party Catholic”—to develop a Catholic case for the values and institutions associated with the free economy, limited government, and America's experiment in ordered liberty. Beginning with the nature of freedom and human flourishing, Gregg underscores the moral and economic benefits of business and markets as well as the welfare state's problems. Gregg then addresses several related issues that divide Catholics in America. These include the demands of social justice, the role of unions, immigration, poverty, and the relationship between secularism and big government.

Visit the official website at www.teapartycatholic.com

$24.00

DollarSignCapitalism is routinely castigated as an enemy of the arts, with much of the finger-pointing bent toward monsters of profit and efficiency — drooling only for money, caring nothing for beauty, and so on. Other critiques take aim at more systemic features, fearing that the type of industrialization that markets sometimes tend toward will inevitably detach artists from healthy social contexts, sucking dry any potential for flourishing as a result.

Yet while free economies certainly introduce a unique series of challenges for artists and consumers alike, and despite the wide array of bottom-dollar record-company execs and merchandising-obsessed Hollywood crackpots that demonstrate such obstacles, recent increases in economic empowerment have also led to plenty of artistic empowerment in turn.

Empowered to Create

The more obvious and overarching examples of this have to do with the simple ways in which widespread prosperity has freed up our time, energy, and resources. As collaboration and innovation accelerate, folks are continuing to discover new ways of doing more with less. As result, the tools and time needed to participate in a variety of artistic ventures, from hand-painting to stage acting to music production, are closer to common fingers than ever before.

Of course, market forces aren’t perfect. As channels of culture, they mostly funnel what they funnel, and that includes squalid appeals to the lowest common denominator. But neither are such forces limited to the hands of the tasteless and trite. Indeed, despite the best efforts of the powerful and privileged, many artists are now finding themselves increasingly equipped to bypass the big shots altogether, taking their art and their audiences with them, from the purchase of their paintbrushes to the publication of their portrait.

As a young boy, I dreamed of one day becoming a filmmaker. After working only two summers at minimum wage, I was able to save up enough cash to put that dream to the test, purchasing a-state of-the-art video camera and my very own digital editing equipment. Thanks to the innovations of others, and the basic freedoms that unleashed it all in the first place, at the age of 16, I was able to secure the tools needed to begin my work — tools that, only a decade prior, were confined to the hands of Hollywood bigwigs. (more…)

Peter Greer has spent his life doing good, from serving refugees in the Congo to leading HOPE International, a Christian-based network of microfinance institutions operating in 16 countries around the world. Yet as Greer argues in his latest book, The Spiritual Danger of Doing Good, “service and charity have a dark side.”

The Spiritual Danger of Doing Good, Peter Greer

Pointing to a study by Fuller Seminary’s Dr. J. Robert Clinton, Greer notes that “only one out of three biblical leaders maintained a dynamic faith that enabled them to avoid abusing their power or doing something harmful to themselves and others.” From King David’s power trip with Bathsheba and Uriah to Jonah’s end-of-life anger and selfishness, the Bible is filled with examples of self-destruction amid service.

“When I looked to Scripture for guidance, what I found troubled me,” Greer writes. “Men and women who had heard from God—who even performed amazing miracles—were just as likely to blow it as everyone else.”

And alas, in all of our discussions about how to best serve our neighbors, how often do we focus on surface-level externalities to the neglect of the human heart? How often do we narrow down our “metrics for success” to exclude any discussion or contemplation about the motivations driving our actions or the potential for pitfalls along the way? (more…)

For some Christians, art of one sort or another plays an integral part of their faith life and worship. For others, it may seem like an afterthought. Should churches encourage artists? Philip Ryken, president of Wheaton College, thinks they

"Grace Psalm", Makoto Fujimura

“Grace Psalm”, Makoto Fujimura

should. In an interview with Breakpoint, Ryken says churches are missing out on opportunities by not reaching out to artists.

This is more than a tragedy. It’s a lost opportunity. Ryken notes that ‘Christians called to paint, draw, sculpt, sing, act, dance, and play music have extraordinary opportunities to witness to the grace, beauty, and truth of the gospel… The arts are the leading edge of culture,’ he says.

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The newly released movies, Lone Ranger and Iron Man 3 both feature an evil capitalist as the villain. Writing at The American Spectator, Jonathan Witt addresses this common practice in Hollywood:

This media stereotype is so persistent, so one-sided, and so misleading that an extended definition of capitalism is in order. First a quick bit of housekeeping. Yes, there are greedy wicked capitalists—much as there are greedy wicked musicians, greedy wicked landscape architects, greedy wicked manicurists, et cetera, et cetera, ad infinitum—just as there are good people in each of these professions.

Now onto what capitalism is and isn’t. Capitalism is an economic system characterized by private (rather than state) ownership of businesses, a system where investments are determined by private decision, and where prices, production, and the distribution of goods and services are determined mainly by free choices in a free market overseen by the rule of law and stable property rights. In cultural terms, most of us are what you might call functional capitalists. At least when we’re not wrestling with theoretical abstractions, we buy, sell, trade, invest, donate; and we much prefer to do so free from the dictates of one or more government bureaucrats. (more…)

You remember “news”, don’t you? Every evening, a somber-faced reporter would come into your living room, and deliver the serious stories of the day. There was the body count from the Vietnam War, or the Watergate scandal. From an earlier era, the family might gather around the radio to hear the BBC report with the latest from the war on London. We’d hear reports of protests, politicians debating bills, breathless accounts from foreign correspondence.

Now, we get updates on celebrity baby names and how Twinkies are making a comeback. (more…)