Posts tagged with: Entertainment/Culture

For some Christians, art of one sort or another plays an integral part of their faith life and worship. For others, it may seem like an afterthought. Should churches encourage artists? Philip Ryken, president of Wheaton College, thinks they

"Grace Psalm", Makoto Fujimura

“Grace Psalm”, Makoto Fujimura

should. In an interview with Breakpoint, Ryken says churches are missing out on opportunities by not reaching out to artists.

This is more than a tragedy. It’s a lost opportunity. Ryken notes that ‘Christians called to paint, draw, sculpt, sing, act, dance, and play music have extraordinary opportunities to witness to the grace, beauty, and truth of the gospel… The arts are the leading edge of culture,’ he says.

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The newly released movies, Lone Ranger and Iron Man 3 both feature an evil capitalist as the villain. Writing at The American Spectator, Jonathan Witt addresses this common practice in Hollywood:

This media stereotype is so persistent, so one-sided, and so misleading that an extended definition of capitalism is in order. First a quick bit of housekeeping. Yes, there are greedy wicked capitalists—much as there are greedy wicked musicians, greedy wicked landscape architects, greedy wicked manicurists, et cetera, et cetera, ad infinitum—just as there are good people in each of these professions.

Now onto what capitalism is and isn’t. Capitalism is an economic system characterized by private (rather than state) ownership of businesses, a system where investments are determined by private decision, and where prices, production, and the distribution of goods and services are determined mainly by free choices in a free market overseen by the rule of law and stable property rights. In cultural terms, most of us are what you might call functional capitalists. At least when we’re not wrestling with theoretical abstractions, we buy, sell, trade, invest, donate; and we much prefer to do so free from the dictates of one or more government bureaucrats. (more…)

Blog author: ehilton
posted by on Monday, July 15, 2013

You remember “news”, don’t you? Every evening, a somber-faced reporter would come into your living room, and deliver the serious stories of the day. There was the body count from the Vietnam War, or the Watergate scandal. From an earlier era, the family might gather around the radio to hear the BBC report with the latest from the war on London. We’d hear reports of protests, politicians debating bills, breathless accounts from foreign correspondence.

Now, we get updates on celebrity baby names and how Twinkies are making a comeback. (more…)

“We need people on the inside,” writes R.J. Moeller from Los Angeles. “We need talented actors, musicians, editors, and screenplay writers who can stake a claim for a differing worldview than that of HBO, David Geffen, and whoever wrote Milk.” Go West, young conservative!

The full text of his essay follows. Subscribe to the free, weekly Acton News & Commentary and other publications here.

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Blog author: jballor
posted by on Monday, April 1, 2013

In the current Acton Commentary, I take a look at what I call a “modern-day Robinson Crusoe,” the survivalist Richard Proenneke of “Alone in the Wilderness” fame.

But as I also note in the piece, there are some other instances of this classic shipwrecked literary device, including the TV show Lost. The basic point of these reflections on community and the human person is that no man is an island, even when they are on an island.

Consider this speech with the conclusion “if we can’t live together, we’re going to die alone,” from Jack Shephard, in Lost episode 1.5, “White Rabbit.”

As the tagline of the “Hang Together” blog reminds us, the dynamic between human sociality and community is at the heart of the American experiment in ordered liberty. As Benjamin Franklin put it, “We must indeed all hang together, or most assuredly we shall all hang separately.”

Billy Graham meets John Paul II in 1981.

Billy Graham meets John Paul II in 1981.

Carl Trueman of Westminster Seminary makes some salient points about why Protestants should pay any attention at all to the doings in Vatican City (HT: Justin Taylor):

Some may wonder what the point of reflecting on Rome is for a Protestant. At least threefold, I would respond. First, Protestants benefit from a conservative papacy: on public square issues such as abortion, marriage and religious freedom, the RCC has a higher profile and more power – financial, legal, institutional – than any Protestant group. We all benefit from the cultural and legal power of the RCC in these areas. Second, your neighbours probably do not distinguish between Christian groups. A sleazy, morally corrupt RCC is like a sleazy, morally corrupt televangelist ministry: we are all marked with the same brush in the public eye and our task of evangelism becomes that much harder. Third, RC authors often offer more penetrating insights into secular culture than their evangelical equivalents. Comparing George Weigel to Rob Bell in such circumstances is akin to comparing Michelangelo to Thomas Kinkade.

Therefore, while I have very serious theological disagreements with Catholic authors, I would suggest that they by and large offer well-argued, well-written and insightful commentaries on the state of the world in a way that is rare in evangelical circles. One can learn a lot from watching a great mind wrestle with a problem, even when one deems the conclusion erroneous; there seems little to be gained from watching a mediocre mind playing ping-pong with the same.

Trueman goes on to discuss the example of George Weigel in more detail. Read the whole thing.

For more on Protestantism and contemporary politics, I reviewed Trueman’s Republocrat: Confessions of a Liberal Conservative in the Summer/Fall 2010 issue of Religion & Liberty, “On the Place of Profits and Politics.”

“If I had cash to spend on promoting the values and ideas and policies that I believed were best for this country, you can bet that I would be out finding talented directors, writers, and producers who shared those values,” writes R.J. Moeller. The full text of his essay follows. Subscribe to the free, weekly Acton News & Commentary and other publications here.
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Update: Rev. Jensen has posted part 2 of his review. You can read it here.

Rev. Gregory Jensen, who writes at the Koinonia blog, recently reviewed Rev. Robert Sirico and Jeff Sandefer’s new book A Field Guide for the Hero’s Journey.

This is what he had to say about it:

Prudence along with justice, temperance and courage, is a cardinal virtue. Unfortunately as contemporary Western culture has become more secularized it has formed generations of men and women who are deaf to the music of human virtue.  Many of us embrace a vision of human life that counsel spontaneity not habit as the mark of a life well and fully lived.  And since any discussion of virtue necessarily brings with it a discussion of tradition such a conversation is an affront to the atomistic individualism that is at the center of contemporary culture.

And as I read [Hero's Journey] something unexpected and wonderful happened—I began to see myself in a new light. (more…)

Check out this video, which is interesting on a number of levels (HT: James R. Otteson):

Hazony points to some really important ideas in this short video. In many ways the culture war, so to speak, really comes down to a clash of worldviews about what work is and ought to be. For a narrative that sets the problem up the same way, but favors the “Leavers” over the “Takers,” see the work of Daniel Quinn, particularly his novel Ishmael.

I’m looking forward to checking out Hazony’s book, The Philosophy of Hebrew Scripture.

In his magnificent reflection on the nature of art, Real Presences, polymath George Steiner invites us to make a thought experiment: What if we lived in a city where all talk about art, mere talk about art, was prohibited? In other words, what would follow if we did away with artistic criticism qua criticism, an activity derivative by nature and one Steiner calls “high gossip”? In this posited city, what Steiner calls the Answerable City, the only permitted response to a work of art would be another work of art. Thus participation in the “art scene” could never launch itself from the risk-free loft of criticism, but it must be real participation, a participation that demands that the viewer invest something of his own imaginative capacities. In this city, the word “interpretation” denotes not something exegetical, but something performative; an activity not of professional academics or theater critics, but of actors and directors — as in an actor “interprets a role.” Here, art means incarnation, not judgment.

But such a city is only a thought experiment, and since judgment requires the participant to invest less of himself, it will always be easier to be a critic than to be an artist. And therefore the artist will always be tempted first to pass judgment rather than to respond with his own creativity.

After a decade of trying to walk the slippery ridge between “he who does” and “he who discusses” art, I have tried to avoid criticism these last couple of years to focus only on doing. But I feel the need to again jump into the critical ring, thanks to a recent article in GQ Magazine (it was sent to me by a friend), an article on my own town, Grand Rapids, and its increasingly famous festival, ArtPrize. (more…)