Posts tagged with: Grand Rapids Michigan

Mako Fujimura, one of the artists hosted by the Acton Institute for ArtPrize 2014

Mako Fujimura, one of the artists hosted by the Acton Institute for ArtPrize 2014

Here in Grand Rapids, we are awaiting the beginning of ArtPrize (Sept. 24-Oct. 12.) For those of us who live or work in the city, we are seeing signs of it: posters hung in coffee shop windows, artists installing pieces, restaurants adding waitstaff, and venues getting spit-shined. It’s a big deal: in 2013, ArtPrize brought in 400,000+ visitors to this city, an estimated $22 million in net growth and hundreds of jobs. Not too shabby for an event that didn’t even exist a few short years ago.

The genesis of ArtPrize was the mind of Rick DeVos, a man focused on entrepreneurship and starting conversations. DeVos started ArtPrize not as a way to bring money to his hometown (“a happy accident“), but because:

…his forays into tech startups had made him love the democracy of the Internet and the possibilities afforded by crowdsourcing. Why not a contest with an open call for artists and an open vote? “I was always intrigued with the X-Prize model,” he said, referring to the $10 million prize offered for private-sector space flight. “This whole idea of putting a big prize out there and then putting as few rules around it as possible, not trying to dictate what the outcome should look like.” The idea expanded from there, and in 2009, five months after he first announced it, ArtPrize opened to the public.

(more…)

Well, how did I get here?

Well, how did I get here?

File under allegory: An Austin, Texas, resident whose property tax bill has her “at the breaking point.” As noted by Katherine Mary Ham at HotAir, the resident in question, Gretchen Gardner, deems the $8,500 bill for which she’s on the hook a wee tad cumbersome. “It’s not because I don’t like paying taxes,” she said. “I have voted for every park, every library, all the school improvements, for light rail, for anything that will make this city better. But now I can’t afford to live here anymore. I’ll protest my appraisal notice, but that’s not enough. Someone needs to step in and address the big picture.”

According to Ham, Ms. Gardner purchased a 1930s bungalow more than 20 years ago, and the artist apparently can’t understand why her tax bill is so high. In this regard, Ms. Gardner resembles the Nuns on the Bus and other religious shareholder activists who submit proxy shareholder resolutions on a plethora of feel-good (but, in reality, harmful) agenda items through investment groups As You Sow and the Interfaith Center on Corporate Responsibility.

Similarly, voters in Acton’s Grand Rapids, Mich., front yard have approved a $10 million income tax increase, seemingly unaware of how this additional burden will impact the city and its residents negatively. Oh wait, did I forget to mention the $30 million parks millage approved by voters last year? While we’re at it, let’s toss in the 2011 mass transit millage approval, which will top out at $15.6 million annually. One day, however, Grand Rapids taxpayers may wake up like some allegorical David Byrne character, tapping their arm and asking, “Well, how did I get here?” as they ponder how much less money they take home, save or have available for philanthropic activities. (more…)

West Michigan is welcoming a new researcher to the area, and Dr. Stefan Jovinge says that culture matters a great deal for incubating innovation. Jovinge, previously of Lund University in Sweden, is one of the world’s foremost scientists investigating the ability of cardiac cells to repair themselves, and he’s joining the Van Andel Institute and at the Spectrum Health Frederik Meijer Heart & Vascular Institute in Grand Rapids.

As Sue Thorns reports, the entrepreneurial culture of West Michigan played a big part in motivating Jovinge’s move. “There is an entrepreneurship and philanthropy here that is astonishing,” he said. “You who live here probably don’t understand this because you think this is normal. But you don’t find it everywhere.”

Read more: “New Spectrum-VAI heart research program to be led by renowned Swedish scientist.”

Created by Square One

Created by Square One

ArtPrize 2013, September 18-October 6, will be many things. For some, it will be a chance to experience art in a unique way, all over the city of Grand Rapids, for free. For others, it will be a competition: hotly debated and fodder for discussion over the dinner table, at the water cooler and in the media. And for others, it will be a boost for local businesses.

Now in its fifth year, ArtPrize was developed by Grand Rapids native Rick DeVos. He describes the annual event as a “celebration of creativity.” Offering $560,000 in prizes, ArtPrize’s focus is on the public vote. The people who visit, view and critique the art vote, and the artist with the most votes receives $200,000. There is also a juried vote, but ArtPrize is definitely an experience of the people, not experts. In addition, much of the art from the 1500+ participating artists is for sale to the public. (more…)

Rev. Sirico addresses the 2013 Law Day Celebration

Rev. Robert A. Sirico speaks at the 2013 Law Day Celebration

May 1st was Law Day across America, and here in Grand Rapids, the Acton Institute joined the Catholic Lawyers Association of West Michigan to sponsor a Law Day Celebration at the St. Cecilia Music Center. The chosen theme for Law Day this year was “Realizing the Dream: Equality for All,” and responsibility for delivering a keynote address on that theme fell to Acton President Rev. Robert A. Sirico, who reflected on the role of faith in the legal profession in a time of great turmoil in society, in part because of the way that the law is currently being used to effect social change.

The event also featured the presentation of the Catholic Lawyers Association of West Michigan’s Thomas Moore Award to Michigan Court of Appeals Chief Judge William Murphy.

You can listen to that presentation, as well as Rev. Sirico’s address, using the audio player below.

The Acton Institute is pleased to announce that registration is now open for the 2013 Acton University (AU), which will take place on June 18-21 in Grand Rapids, Michigan.

Space and scholarship funds are limited – so register or apply now! Please visit university.acton.org where you will find the online registration form along with complete conference information.

Registration for 2013 Acton University, scheduled for June 18-21 at the DeVos Place Convention Center in Grand Rapids, Mich., will open Thursday November 15. Stay tuned to Acton’s homepage and the AU website for further news and announcements. If you haven’t had the chance to attend in the past, make this the year you do!

The Acton Institute is anticipating a move to our new building in the heart of Grand Rapids, MI. With the generous funding of donors, the 24,000 square feet of space will allow us to serve an even larger community. Acton’s Executive Director, Kris Mauren, says the $6 million renovation allows the Institute to remain in its Grand Rapids home, while raising its international profile.

“This is a great place to be and it doesn’t stop us from being the international organization we want to be,” Mauren said. The Acton Institute plans to move into its new home when construction is complete near the end of this year.

Jim Harger, of Mlive.com, shares the entire story, along with photos of the construction, here.

In his magnificent reflection on the nature of art, Real Presences, polymath George Steiner invites us to make a thought experiment: What if we lived in a city where all talk about art, mere talk about art, was prohibited? In other words, what would follow if we did away with artistic criticism qua criticism, an activity derivative by nature and one Steiner calls “high gossip”? In this posited city, what Steiner calls the Answerable City, the only permitted response to a work of art would be another work of art. Thus participation in the “art scene” could never launch itself from the risk-free loft of criticism, but it must be real participation, a participation that demands that the viewer invest something of his own imaginative capacities. In this city, the word “interpretation” denotes not something exegetical, but something performative; an activity not of professional academics or theater critics, but of actors and directors — as in an actor “interprets a role.” Here, art means incarnation, not judgment.

But such a city is only a thought experiment, and since judgment requires the participant to invest less of himself, it will always be easier to be a critic than to be an artist. And therefore the artist will always be tempted first to pass judgment rather than to respond with his own creativity.

After a decade of trying to walk the slippery ridge between “he who does” and “he who discusses” art, I have tried to avoid criticism these last couple of years to focus only on doing. But I feel the need to again jump into the critical ring, thanks to a recent article in GQ Magazine (it was sent to me by a friend), an article on my own town, Grand Rapids, and its increasingly famous festival, ArtPrize. (more…)

At the Mackinac Center blog, I look at a really shabby piece of reportage in GQ Magazine on ArtPrize, the annual public art competition in Grand Rapids, Mich. Grand Rapids is also where the Acton Institute is based and it’s a terrific Midwestern city doing a lot of things right. But when East Coast writer Matthew Power visited GR he saw only “flyover country,” a “provincial” mindset, “G.R.-usalem” (lots of churches) and “ordinary” local inhabitants.

You know where this is going. I say:

Ultimately, Power gets to his main point, which readers could easily anticipate as leveling a charge of what is perceived as the only sin known to Western Civilization by East Coast writers of a particular persuasion: hypocrisy. For it seems Rick DeVos’ parents fund free-market (including the Mackinac Center) and conservative Christian causes, and young Rick’s motivations are judged negatively by Power’s perceived “sins” of DeVos’ mere et pere and the causes they fund.

“To some of the [DeVos] family’s detractors, the millions in soft money and the funding of conservative Christian organizations suggest more ambitious goals: an end to nearly all government control and regulation, media, education … and the arts,” Power cavils. “Whatever their motives, it seemed odd that a family with such an agenda would let its heir apparent throw open the gates to its city in an open call to any and all artists, not matter how starving or unwashed.”

Power notes that the Acton Institute, a beneficiary of DeVos monies, “has advocated for the abolition of public funding for contemporary art” when, in fact, Acton has no official position whatsoever on the matter. True, some Acton articles and blog posts (several written by your author) take issue with public funding for art, arguing along with Jacques Barzun that the practice results in a “surfeit of fine art” (and I would argue strenuously against DeVos applying for and accepting a $100,00 National Endowment for the Arts grant for ArtPrize, as the businesses benefitting most from the competition could easily pony up the relatively insignificant amount) but, again, my opinions and for that matter the free-market ideology of Mr. DeVos’ parents hardly are germane to a story that merely aims to discredit ArtPrize by any means necessary.

Power winds up his Grand Rapids’ hit piece with interviews with the losers, apparently cheesed off that the public judging was insufficient to their superior aesthetic concepts and artistic execution. But, of course, that’s to be expected.

Read “GQ Hit Piece on GR ArtPrize” at the Mackinac Center.