Posts tagged with: it’s a wonderful life

Blog author: jcarter
posted by on Friday, December 20, 2013

[Note: A version of this article ran last year around Christmastime. I'm posting it again because I love talking about Frank Capra and everyone else seems to love talking about Ayn Rand.]

Frank Capra and Ayn Rand are two names not often mentioned together. Yet the cheery director of Capra-corn and the dour novelist who created Objectivism have more in common than you might imagine. Both were immigrants who made their names in Hollywood. Both were screenwriters and employees of the film studio RKO Pictures. And during the last half of the 1940s, both created works of enduring cult appeal, Capra with his film It’s a Wonderful Life and Rand with her novel The Fountainhead.

The pair also created two of the most memorable characters in modern pop culture: Howard Roark and George Bailey. To anyone familiar with both works, it would seem the two characters could not be more different. Unexpected similarities emerge, however, when one considers that Roark and Bailey are variations on a common archetype that has captured the American imagination for decades.

Howard Roark, the protagonist of Rand’s book, is an idealistic young architect who chooses to struggle in obscurity rather than compromise his artistic and personal vision by conforming to the needs and demands of the community. In contrast, George Bailey, the hero of Capra’s film, is an idealistic young would-be architect who struggles in obscurity because he has chosen to conform to the needs and demands of the community rather than fulfill his artistic and personal vision. Howard Roark is essentially what George Bailey might have become had he left for college rather than stayed in his hometown of Bedford Falls.
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The Fund for American Studies has produced a superb It’s a Wonderful Life-style video about life without capitalism. The video not only shows what life would be like if we banned free enterprise (i.e., a lot like Soviet Russia) but also makes the point that when you lose economic freedom you lose other freedoms too. As the angel says, “When you take away the carrot, all you’re left with is the stick.

My favorite part of the video:

Anti-capitalist activist: “I just wanted to get rid of the greed. I didn’t want to get rid of my microwave, my air-conditioner. . . ”

Angel: “Your Xbox.”

Activist: “My Xbox is gone?”

Angel: “Yeah, well, in this world that greedy Bill Gates work in a bowling ball factory in Akron. Lose-win, right?”

(Via: Cafe Hayek)

Blog author: jballor
posted by on Friday, December 4, 2009

Heather Wilhelm of the Illinois Policy Institute examines the usefulness of Ayn Rand for political engagement by friends of the market economy in a WSJ op-ed, “Is Ayn Rand Bad for the Market?” She concludes,

Rand held some insight on the nature of markets and has sold scads of books, but when it comes to shaping today’s mainstream assumptions, she is a terrible marketer: elitist, cold and laser-focused on the supermen and superwomen of the world.

Wilhelm’s picture of Rand underscores the distinction I’ve made between libertarianism as a world-and-life view and as a political philosophy. Rand is clearly of the former type: a Weltanschauunglich libertarian par excellence.

As Wilhelm writes, “For her fans, Rand’s appeal lies in her big-picture, unified, philosophical approach to man’s purpose and the meaning of life.” But this is also her greatest weakness, in that it opposes her to collaboration with those who might share inclinations toward limited government, but do not buy into the comprehensive “blend of atheism, absolutism and ruthless individualism.”

This is a more thorough-going critique of Rand’s viability as a model than simply noting the vigor of her polemic. As Acton Institute president Rev. Robert A. Sirico says, “If you want to offend, Rand accomplishes that. But if you want to convert—well, for instance, who could imagine Rand debating a health-care bill? I wouldn’t want to take an order from her in a restaurant, let alone negotiate a political point.”

Over at First Thoughts, Joe Carter juxtaposes Frank Capra’s George Bailey (of It’s a Wonderful Life) with Rand’s Harold Roark (of Fountainhead). Carter concludes that the two figures represent sharply different visions. Indeed, “Capra’s underlying message is thus radically subversive: it is by serving our fellow man, even to the point of subordinating our dreams and ambitions, that we achieve both true greatness and lasting happiness.”

This is something that Rand and her disciples would find odious. Thus “those who view Roark as a moral model—are not likely to appreciate Wonderful Life. Indeed, the messages are so antithetical that only a schizophrenic personality could truly appreciate both George Bailey and Howard Roark.”

Update: Reason‘s Katherine Mangu-Ward passes along the words of Rand’s “one-time intellectual heir” Nathaniel Branden, as a kind of addendum to Rev. Sirico’s comment:

The luckiest beneficiaries of [Ayn Rand’s] work are the people who read her and never see her, never meet her, never have any reason to deal with her in person. Then they get the best of what she was.