On October 29th, the Acton Institute was pleased to welcome author and National Review Senior Editor Jay Nordlinger to the Mark Murray Auditorium as part of the 2015 Acton Lecture Series. Nordlinger’s address shared the title of his latest book, Children of Monsters: An Inquiry into the Sons and Daughters of Dictators, which examines the varied fates of the children of some of the 20th century’s most notorious dictators. We’re pleased to present the video of Nordlinger’s talk here on the PowerBlog.
“I think that to sober up, some need to go to the Butovo firing range on the outskirts of Moscow,” Ilarion said during a program aired by Channel One on Monday, according to media reports.
Butovo was the site of the largest number of political executions in the Moscow region under Stalin. “The firing range has a museum, photographs of people, it tells you what was happening there: Every day they brought in and shot 200, 300, 400 people,” Ilarion was quoted as saying. “There were 15-16-year-old children. Why were they shot?” (more…)
In this edition of Radio Free Acton, Paul Edwards speaks with Luba Markewycz of the Ukrainian Institute of Modern Art in Chicago, Illinois about the Holodomor – the Great Famine of the 1930s inflicted on Ukraine by Josef Stalin’s Soviet Government that killed millions of Ukrainians through starvation. They discuss the Holodomor itself, and the process undertaken by Markewycz to create an exhibition of art by young Ukrainians to commemorate the event. You can listen to the podcast using the audio player below.
More: Acton’s Director of Research Samuel Gregg joined Luba Markewycz in November at the Acton Building’s Mark Murray Auditorium for an evening of discussion of the Holodomor and the Holodomor Through the Eyes of a Child exhibit.
The Acton Institute is currently hosting an art exhibit called “Holodomor: Through the Eyes of a Child” in our Prince-Broekhuizen Gallery at the Acton Building. It features artworks created by contemporary Ukrainian children commemorating the great famine of the 1930s that was inflicted upon Ukraine by Stalin, resulting in the deaths of almost 7 million people by starvation.
The exhibit is the brainchild of Luba Markewycz, whose aim is to shed light on this largely unknown chapter of Ukrainian history and expose the tyranny and inhumanity of Stalin’s Communist regime. On November 6th, Markewycz – who is a teacher by profession, and has served in many roles at the Ukrainian Institute of Modern Art in Chicago – was joined by Acton’s Director of Research Samuel Gregg to discuss the exhibit and to shed light on the terrible historical events that it commemorates.
Seventy years ago this November, a new word entered the lexicon which would contextualize and put a name to the mass killings of minority groups that had gone on for centuries: genocide.
The Polish-Jewish lawyer who coined the word, Raphael Lemkin, used it for the first time in his book, Axis Rule in Occupied Europe, published in November 1944. Lemkin had been deeply troubled with mass killing and the lack of legal framework for adjudication of its perpetrators from a young age. He found it appalling that in the name of “state sovereignty” a leader was effectively able to kill his own citizens, without punishment under the law.
Lemkin’s coining of the word was followed by a relentless, single-handed effort to lobby diplomats, heads of states, and then the newly formed United Nations to create a law which would make illegal this recently named crime against humanity. Lemkin’s efforts were eventually rewarded when on December 9, 1948 the United Nations General Assembly unanimously passed into law the Convention on the Prevention and Punishment of the Crime of Genocide.
History reveals many “crimes against humanity” which preceded this development in international law. The current U.S. Ambassador to the United Nations, Samantha Power, notes a few of these in her book, A Problem from Hell: America and the Age of Genocide.
And there are still many other largely unknown genocides that deserve our recognition. One of these will be covered in an upcoming Acton Institute art and lecture event on Thursday, November 6: “The Famine Remembered: Lessons from Ukraine’s Holodomor and Soviet Communism.”
This November marks the 25th anniversary of the fall of the Berlin Wall. This momentous occasion symbolizing the decline of Soviet Communism is sure to be met with joyous celebration, not only in Germany, but around the world.
While November signifies Soviet Communism’s decline it also commemorates one of its darkest, most horrendous hours. Annually on the fourth Saturday of November, Ukrainians remember the brutal, man-made famine imposed on their country by Joseph Stalin and his Communist regime in the 1930s. The tragedy, which became known as the “Holodomor” (“death by hunger”) resulted from Stalin’s efforts to eliminate Ukraine’s independent farmers in order to collectivize the agricultural process.
Estimated to have claimed, through murder and forced starvation, the lives of almost 7 million Ukrainians, the Holodomor is recognized as a genocide by more than a dozen countries, including the United States.
In an effort to expose this largely unknown chapter of Ukrainian history and the corrupt ideology which caused it, the Acton Institute will host an evening combined lecture and art event on November 6th titled, “The Famine Remembered: Lessons from Ukraine’s Holodomor and Soviet Communism.” The presentation will feature Acton’s director of research, Samuel Gregg, and the Ukrainian Institute of Modern Art’s education committee chair, Luba Markewycz. Markewycz will share her exhibit, “Holodomor Through the Eyes of a Child,” composed of artwork created by contemporary children throughout Ukraine. Gregg will discuss the historical context and the ways in which the Holodomor amounted to an assault on human dignity, individual liberty, private property, and religious freedom.
We invite you to come learn about this important part of history and see it depicted through art. For more information and to register, please visit the event webpage.
Pete Seeger performing the Woodie Guthrie song “This Land is Your Land” at President Obama’s “We Are One” Inaugural Concert, January 19, 2009.
Environmentalist, agent provocateur, leftist activist, recovering Communist and ardent redistributionist – all apply to the folksinger who died Monday in New York at the age of 94. Pete Seeger, for better or worse, answered to all of the above adjectives but it’s his legacy as a songwriter and performer for which this writer prefers to remember him.
Certainly there’s much with which to disagree with Seeger from an ideological standpoint over the decades of a nearly 70-year career, but taken as a whole his body of work stands out for its calls for equality and societal change for the better. Take for example Seeger’s “Turn, Turn, Turn,” a wonderful song that “sampled” a bit of Ecclesiastes to become a gentle yet powerful anthem akin to Curtis Mayfield’s “People Get Ready” and Sam Cooke’s “A Change Is Gonna Come.” With “Turn, Turn, Turn,” the songwriter assisted in the bridge between folk and rock when the song was appropriated by the Byrds’ signature jangle-and-harmony pop. (more…)