Posts tagged with: michigan

Detroit Institute of Arts - IMG 8923

Christians often talk a big game about “redeeming” the culture.

I think the current dilemma facing the Detroit Institute of Arts (DIA) amid the city of Detroit’s bankruptcy provides a great opportunity to back up that talk with something concrete. And there’s perhaps no more concrete way of redeeming something, buying it back, than from the threat of bankruptcy.

That’s why I’ve started a crowdfunding campaign to redeem the DIA. The federal judge overseeing the proceedings wants to raise $500 million to privatize the DIA and keep it in Detroit. He’s gathered together a number of charitable foundations. But individuals have a role to play, too. A former Wayne State University professor has donated $5 million. That leaves $495 million to go by my count. And that’s the goal for the “Redeem the DIA” campaign at Razoo.

For more on the need to privatize the DIA, read my Acton Commentary from last July.

AOTDid you miss Acton on Tap? You really shouldn’t miss Acton on Tap. That’s a bad idea. For instance, if you missed last night’s event, you passed up an opportunity to hear Jordan J. Ballor, Executive Editor of the Journal of Markets & Morality and author of Get Your Hands Dirty: Essays on Christian Social Thought (and Action), speak at San Chez Bistro in Grand Rapids, Michigan on the topic of the economics of the Heidelberg Catechism. He focused on Lord’s Days 50, 42, and 38 as the origin, essence, and goal of economic activity, and it was a really worthwhile talk.

But we’re nothing if not forgiving here at Acton, so if you weren’t able to be there, we’re posting the audio of Jordan’s talk below. Enjoy, and watch this space for info on our next Acton on Tap event!

Jordan J. Ballor speaks at Acton On Tap

Jordan J. Ballor speaks on the economics of the Heidelberg Catechism

Blog author: jballor
Tuesday, December 10, 2013
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Most commentators, apart from Virginia Postrel and the like, seem to think that it would be tragic for the city of Detroit to lose the art collection at the Detroit Institute of Arts (DIA) in the city’s bankruptcy proceedings. I agree that liquidating or “monetizing” the collection and shipping the works off to parts unknown like the spare pieces on a totaled car would be tragic.

Diego Rivera - Detroit Industry MuralsBut at the same time, there’s something about the relationship between the DIA collection and the city government (not to be confused with the people of the city itself) that would seem to warrant the city government’s loss of this asset. When you are a bad steward, even what little you have will be taken from you.

Now one could argue about the details of the DIA’s day-to-day operations, the compensation package for its director, and so on. But apart from these details of stewardship of the DIA itself, the real object lesson in bad stewardship has to do with the city government. Rife with structural corruption, cronyism, and incompetence, the city has been unable to provide the basic services and protection that it is responsible for, despite the best efforts of so many individuals working within the city government. So when the city cannot do the primary things it needs to do, it should lose the privilege of overseeing the secondary things, at the very least until it proves itself to be a responsible steward.
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DetroitInstituteoftheArts2010AEarlier this year I argued for a plan that would privatize the DIA, allowing for the City of Detroit to cash in on a measure of the collection’s worth to satisfy creditors and simultaneously protect the DIA’s artwork from being parceled out in bankruptcy proceedings. At the time, I had doubts about the practicability of the idea. I figured that even if such a path were to be pursued that the DIA would likely end up torn apart like a chew toy. Once the city’s creditors realize that they might be able to extract something of value from the DIA, they have all the incentive in the world to demand an exorbitant price for privatizing the DIA. Likewise the city officials would have a massive bargaining chip they could use to extract as much as possible from potential donors.

I still have doubts about the privatization plan’s practicability, but the prospects do seem a bit brighter now that Judge Gerald Rosen has determined that the City of Detroit is eligible to file for bankruptcy. This is because Judge Rosen is one of the leading advocates for a privatization plan. Rumors like this have been simmering in the media for weeks, but according to the Detroit Free Press, now “some of the city’s most powerful leaders are working furiously to fashion a grand bargain in which nonprofit foundations would put up $500 million to spin off the Detroit Institute of Arts from the city, and that money would be used to reduce pension cuts and help rebuild city services.” Apparently Judge Rosen is using his influence to encourage “some of the country’s largest charitable foundations and their smaller local cousins to pony up the money.”
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logoThe Michigan Catholic Conference, which serves as the public policy voice for the Catholic Church in Michigan, has filed a new lawsuit against the federal government regarding the HHS mandate. A press statement released today says:

Michigan Catholic Conference today filed in the U.S. District Court for the Western District of Michigan a new legal complaint against the federal government regarding the U.S. Department of Health and Human Services’ (HHS) objectionable services mandate. The complaint challenges the HHS mandate on the grounds that it violates longstanding religious liberty protections by forcing religious employers to facilitate coverage of morally objectionable services, such as abortion-inducing drugs, contraceptives, and sterilization in their employee health benefit plans. (more…)

Russell Kirk

Russell Kirk addresses the Acton Institute in Grand Rapids, Michigan – 1.10.94

On Saturday, November 9, the Intercollegiate Studies Institute is hosting a conference on the 60th Anniversary of Russell Kirk’s The Conservative Mind. The conference, which will examine the impact of Kirk’s monumental book—which both named and shaped the nascent conservative movement in the United States—is to be held at the Eberhard Center on the downtown Grand Rapids campus of Grand Valley State University, which Acton supporters will recognize as the home of Acton University from 2006-2010, and that conference’s precursor, the Acton Symposium in 2005. The ISI conference promises to be a stimulating experience, featuring Gleaves Whitney of Grand Valley’s Hauenstein Center, Professor Bruce Frohnen of Ohio Northern University, and Gerald Russello, editor of the University Bookman, the scholarly quarterly founded in 1960 by Kirk.

That being said, Acton has a connection to Russell Kirk that goes beyond the coincidental sharing of conference space. For one thing, the Acton Institute was blessed to have Kirk serve in an advisory capacity from the founding of the institute up until the time of his death. And it was our honor to host the great man for what would turn out to be his final public lecture.

The lecture took place on Jaunary 10, 1994 at the University Club in Grand Rapids, not far from his home in Mecosta, Michigan. Kirk spoke on the topic of Lord Acton on Revolution, laying out his case that Acton, over the course of his life, developed a tendency to too easily approve of revolution, even sometimes showing an “enthusiastic approbation” of it. Ultimately, Kirk believed that Acton was too enthusiastic about revolution, and he faults Acton for too earnestly supporting the abstract common good that revolution would supposedly advance, while failing to foresee the dangers that revolution could pose to the liberty that Acton so cherished.

For a man who had recently been “under house arrest for the past six weeks under my doctor’s orders, having overexerted myself on the lecture platform,” he speaks with great enthusiasm and energy, and with great clarity of mind. Just over three months later, he passed away at his home in Mecosta, Piety Hill.

It was our privilege to draw from Kirk’s wisdom in our early days as an institution, and it is now our privilege to share this, his final lecture, with you.

More: Acton’s remembrance of Russell Kirk, from Religion and Liberty, Volume 4, Number 3.

Even More: Russell Kirk on “Enlivening the Conservative Mind.”

If you missed Acton’s Anniversary Dinner on October 24th, well, you sort of blew it. A packed house welcomed noted satirist, student of stupidity, political reporter (but I repeat myself), and all-around fun guy P.J. O’Rourke to Grand Rapids, and he came prepared to let the audience know just how unprepared he was to address an Acton Institute function:

For more from this year’s dinner, check out this earlier post: ‘Acton has Given Me a Backbone’

[This post was co-authored with Chris Horst, director of development at HOPE International. He is a This is Our City fanboy and is grateful that Christianity Today has given him freedom to write about manufacturers, mattress sellers, and solar product designers, all working for the common good in Denver, where he lives with his family. Chris blogs at Smorgasblurb, and you can connect with him on Twitter at @chrishorst. His first book, Mission Drift, will hit shelves this spring. The views expressed in this essay are his own.]

oil traffic

Oil boom traffic in Watford City, North Dakota

In a marvelous profile for This is Our City, Brandon Rhodes explores how a 25-member church is contributing to its neighborhood through farmer’s markets, block parties, and yarn-bombings. “They made a decision to radically localize how they practice being church with the common good and the gospel in mind,” Rhodes writes. “…They take a ‘nearby-first’ approach to living it out.”

James K.A. Smith responds at Cardus, and though he, too, celebrates the slow-and-artsy, he also emphasizes the importance of the macro-and-dirty. Decrying what he describes as “a sort of vague Anabaptism” among younger evangelicals, Smith challenges “Portlandia Christians” to consider the systemic challenges that either hinder or empower our cities. “We have scaled our expectations and our efforts as if the rejection of triumphalism means a retreat from systemic change,” he writes. “It’s like we’ve decided we should make lovely art not culture war.”

Turning his focus toward Detroit, which he describes as a “colossal disaster of municipal government,” Smith concludes that “farmer’s market’s won’t rescue the city” but “good government will.” Yet as he goes on to note, the solution is not either/or, but both/and: “It’s peach preserves and policy making. Coffee shops and court nominations. Block parties and bills in Congress.” (more…)

Visigoths sack RomeThe travails of Detroit’s bankruptcy and the implications for the Detroit Institute of Arts (DIA) continue to garner speculation about the place of art in society and the value of the DIA to the city, both now and in the future.

Emergency manager Kevin Orr has “formally engaged Christie’s to appraise a portion of the city-owned multibillion dollar collection at the DIA.” John Fund at NRO has advised that even a limited number of paintings could be sold, keeping the remainder of the collection intact. This would allow for a reformation of the institution itself, “to make the art in the DIA more relevant to the people who actually live near it.”

Meanwhile, Graham Beal, the director of the DIA, plays a dangerous game of brinksmanship in the media. By Beal’s account, any change to the DIA would result in the shuttering of the institution: “If works of art are sold by anybody, that breaks the operating agreement — then that money ceases to come from the three counties, then the DIA will effectively be closed down.” Such claims continue to be made despite the real danger of liquidation by order of a federal judge and regardless of the realities of the institution’s operating budget. For fiscal year 2011, the DIA had an operating excess of nearly $22 million.

But Beal doesn’t seem inclined to give any quarter to talk about changes to the DIA. Thus he’s called suggestions like mine to “privatize” the DIA “a bit of a fairy tale.” But if anyone is living in a fantasy land, it’s those who think the DIA will be immune to the political turmoil surrounding Detroit. Rather than galvanizing around efforts to save the DIA, political and civic leaders in Detroit seem increasingly intent on looting the collection: “The Van Gogh must go,” said Mark Young, president of the Detroit Lieutenants and Sergeants Association. “We don’t need Monet – we need money.” The combined interests of the city’s creditors and pensioners might just be enough to sink the DIA. As Philip Terzian writes, “the financial claims of creditors might well have greater weight than the principle of a distinguished art collection in Motown.”

Barbarians are at the gates of the DIA, and the director fiddles. The best thing for a thriving DIA would be to become fully independent, but by all accounts Beal is uninterested in pursuing such options. Having gained a spot at the public trough, the DIA seems loathe to give it up, even if it means endangering the future of the institution.

First they came for the Picasso. Then they came for the Van Gogh. Then they came for the Rivera…

4109902429_491e5d15d3Photo Credit: Patrick Hoesly via Compfight cc

Following up on last week’s proposal and discussion about the future of the Detroit Institute of Arts in the midst of the city of Detroit’s ongoing budgetary woes, arts commentator Terry Teachout penned a piece for the WSJ about the need for Detroit’s leaders to step up: “Protecting Detroit’s Artwork Is a Job for Detroit.”

Among other things, Teachout writes, “Any argument to keep Detroit’s masterpieces in Detroit has got to make sense to Detroiters who think that pensions are more important than paintings.” Teachout goes on to explore a couple such arguments, but the most salient point is that Detroiters themselves are the best ones to make such arguments.
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