Posts tagged with: Orthodox Christianity

Blog author: dpahman
Wednesday, September 3, 2014
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City Summer 2014In the most recent issue of The City, I have an essay on Orthodoxy and ordered liberty. I argue that Orthodox theological anthropology, which distinguishes between the image and likeness of God and two forms of freedom corresponding to them, fits well with the classical understanding of ordered liberty.

In particular, I examine these freedoms with regards to the family, religious liberty, political liberty, and economic liberty, arguing that the Orthodox ascetic tradition has much to offer to modern Christian social thought with regards to how best to order the freedom we have by virtue of being created after the image of God toward that freedom from passion and sin that finds its fulfillment in the likeness of Jesus Christ.

Of interest to our readers here, with regards to economic liberty, I write,

We are created with a capacity for freedom, autexousio, to be used for the purpose of the moral freedom of theosis: eleutheria. Thus, just as we ought to offer up our bodies as living sacrifices to God (cf. Romans 12:1), so also we are to offer up God’s creation to him through our labor. God has given us the earth in order “to tend and keep it” in a paradis[ai]cal state (Genesis 2:15). Thus, acknowledging … our propensity for failure, we nevertheless have a duty to make of God’s creation what we can, imitating the creativity of God and exercising the dominion he gave us (Genesis 1:26).

We must, then, have liberty in society to freely cultivate the resources of the earth for the sake of the higher good of self-sacrificing love. Helen Rhee affirms in Loving the Poor, Saving the Rich, her study of wealth and poverty in the early Church, the consistent patristic teaching of both the affirmation of private property rights and our moral duties to use our property for the good of others (what is known in the West as the “universal destination of goods”)….

You can read the full article online here.

And while you’re at it, take the time to subscribe to The City. It’s free and published in print and online three times a year. Subscribe here.

Armenian Orthodox theologian Vigen Guroian’s The Melody of Faith (2010) seeks to provide an introduction to the basic dogmas of Eastern Christianity, harmonizing various Eastern Christian traditions (and making significant mention of a few Western ones) through continual reference to their writings, to their icons, and especially to their hymnody. The book, however, makes no claim to “constitute a systematic account of the Christian faith in the Germanic style of rational academic theology” (xi). Instead, Guroian muses,

It may be that theology is nearer in origin and character to music than to architecture, despite modern assumptions to the contrary…. In primitive culture, music is inherently religious, expressing basic beliefs about beginnings and endings as it is employed in worship of deity. Music originates at the well-spring of human emotions and expresses an experience of the numinous. (xii)

Ironically, as an American of German descent I cannot help but point out that the category of the “numinous” was first articulated by the German theologian and scholar Rudolf Otto. It may be that Guroian is so naturally ecumenical he has even unintentionally found something true and beautiful in that “Germanic style” he seeks to avoid. And, I must admit, his insight and approach are both imaginative and refreshing.

Indeed, despite the fact that four of the six chapters are revisions of articles previously appearing in scholarly publications, The Melody of Faith reads with a natural fluidity, at times more reminiscent of a devotional memoir than an introduction to theology. Yet, it maintains a clear focus, each chapter addressing a specific theme, moving from creation in the first chapter, to eschatology in the next, to salvation, to Mariology, to the Crucifixion, and finally to the Resurrection. The resulting whole is a sacramentally- and synergistically-oriented symphony of vibrant Christian faith and living tradition.

This sacramental and synergistic emphasis addresses several of the Acton Institute’s core principles, especially human dignity, human freedom, and human sin.  With regards to sin, Guroian writes, “Sinning is an offense to God, but the state of sin is an illness that morally weakens the patient” (55). Consistent with traditional, Eastern Christianity, he emphasizes that sin is more than legal offense, humanity’s problem more than juridical guilt, but rather spiritual and physical sickness or corruption which leads to death. The cure is “divine therapy” or healing. According to Guroian, “Christ is the surgeon who removes the sting of death (1 Cor. 15:15) with the sharp instrument of the cross. And his body and blood are the medicine of our immortality” (55). Christ is the physician who operates; we are the patients who must willingly take our medicine, which we find primarily in the sacrament of the Eucharist. Indeed, “God has created [humankind] in his own image as a personal and free being” (16). Just as Christ was not conceived and all humanity was not saved apart from the consent of the Virgin Mary, we as individuals are not healed and deified by his gracious presence apart from our active participation either. Anything less would denigrate our dignity as bearers of the imago Dei.

The Melody of Faith does not seek to be comprehensive, but its success lies in its accessibility and ecumenical sensitivity. To the outsider looking in, Eastern liturgy and theology can appear confusing, even dissonant, but to many such concerns The Melody of Faith provides a fitting and elegant resolve.