Posts tagged with: rhetoric

Dylan Pahman
posted by on Tuesday, December 18, 2012

I recently asked the question at Ethika Politika, “Which Capitalism?” (also the title of my article), and I followed it up with a related question here regarding the relationship between distributism and capitalism (is the former a form of the latter?). In addition, Jordan Ballor reflected last week on the different orientation of definitions of capitalism and socialism, observing, “One definition [i.e. capitalism] is focused on structure, the other [i.e. socialism] is connected with moral ideals.”

Read more on On the Importance of Definitions…

A look at religious liberty, the HHS Mandate, and political discourse.

Ray Nothstine
posted by on Wednesday, December 14, 2011

In terms of the blogosphere, I’m sure this polling data from Gallup published two days ago showing that fear of big government dwarfs fear of big business and big labor is ancient history. I only want to offer a few observations.

Read more on Fearing Big Government…

Kenneth Spence
posted by on Friday, September 9, 2011

Over at National Review Online, a panel of experts reacts to last night’s jobs speech by President Obama. Acton’s director of research, Samuel Gregg, was not encouraged by what he heard: a jumble of disproven Keynesian theories and strong-man rhetoric. Gregg’s commentary in full:

Read more on Samuel Gregg: Obama’s Speech Misses It…

Jonathan Witt
posted by on Wednesday, August 19, 2009

I recently finished How to Argue Like Jesus (Crossway, 2009) by Joe Carter (The Evangelical Outpost, First Thoughts) and John Coleman. I would have loved to have had this book to assign during the 13 years I taught college composition and rhetoric. So many of my fellow evangelicals think rhetoric is a dirty word, as in “That’s just a bunch of rhetoric.” But as this primer makes clear, Jesus was a master of rhetoric, a master of principled persuasion.

Read more on Book Review: How to Argue Like Jesus

Writing on the Big Hollywood blog, Dallas Jenkins asks the question: “Why are Christian Movies So Bad?” Jenkins, a filmmaker and the son of “Left Behind” novelist Jerry Jenkins, points to a number of telling reasons for the glaring deficit in artistic accomplishment, what you might call the dreck factor, that is evident in so many films aimed at the faithful. Jenkins’ critique points to something we’ve been talking about at Acton for some time: the need for conservatives to understand and master the art of narrative, not just the rhetorical skills that have served them so well in politics and policy. Jenkins says:

The problem is that everyone knows good art should always put story and character above message. Message films are rarely exciting. So by their very nature, most Christian films aren’t going to be very good because they have to fall within certain message-based parameters. And because the Christian audience is so glad to get a “safe, redeeming, faith-based message,” even at the expense of great art, they don’t demand higher artistic standards. So aspiring filmmakers who are Christians have little need to perfect their craft, and Christian investors have little need to spend a lot of money because the message is going to be most important anyway. Add in the fact that the average heartland Christian couldn’t care less what a critic thinks — if anything, they assume they’ll feel the opposite of a movie critic — and you’ve got even less incentive for Christian filmmakers to be obsessed with quality.

Or, as producer Samuel Goldwyn has often been quoted as saying, “Pictures are for entertainment, messages should be delivered by Western Union.”

Does the left make “message” movies? Sure, all of the time (think of just about any George Clooney picture). And these agit-prop productions frequently bomb. But Jenkins is is correct in pointing out that generally speaking the cultural right still hasn’t mastered even the rudiments of cinema storytelling. This is a grave problem because America’s chief myth making industries — feature films, television entertainment, book publishing, popular music — are largely the province of the cultural left. Then again, if you’re in that camp, you could plausibly argue that, “We’re just better at this stuff.”

The power of narrative lies in its ability to reach the whole person, the heart and the head. It begins by creating an effect on the emotions — moving a person — and can register indelibly in human memory. Thus, narrative can serve as a powerful means of communicating ideas, but not primarily in message form. It works at a deeper level, sometimes tapping into the mythic consciousness of an entire people. That is why narrative is essential for political mass movements; once you get the hearts and the minds of the people excited, you can then move their feet in the direction you want them to go. Most recently, this political narrative form has been used artfully by candidate and now President Barack Obama (see “Obama and the Moral Imagination”). Read more on PBR: Cheesy Christian Movies and the Art of Narrative…

Jordan J. Ballor
posted by on Tuesday, July 15, 2008

Last week presidential candidate John McCain distanced himself from economic adviser Phil Gramm, after Gramm’s comments that America had become a “nation of whiners” and that the current concerns over a lagging economy amounted to a “mental recession” rather than any real phenomena.

Read more on Free Trade Follies…

The relationship of the Christian church and the broader culture has been a perennial question whose genesis antedates the life of the early Church.

In his Apology, the church father Tertullian defended Christians as citizens of the Roman empire in the truest and best sense. If all the Christians of the empire were to leave, he wrote, “you would be horror-struck at the solitude in which you would find yourselves, at such an all-prevailing silence, and that stupor as of a dead world. You would have to seek subjects to govern. You would have more enemies than citizens remaining. For now it is the immense number of Christians which makes your enemies so few,—almost all the inhabitants of your various cities being followers of Christ.”

In the post-industrial Information age, Christians remain at the forefront of social and cultural formation. In the context of the developments at the dawn of the third millennium, the engagement of church and culture has taken on a new form, focused most especially on new forms of technology and communication. The internet in particular, and related “new” media, have raised important issues for the ways in which Christians communicate with each other and with non-Christians.

The basic question has been raised in different ways arising from various concerns. The 2008 Evangelical Outpost/Wheatstone Symposium puts the question thusly: “If the medium affects the message, how will the Christian message be affected by the new media?” Read more on Toward a Theological Ethic for Internet Discourse…

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