The Hunger Games may lack a single reference to religion or God, but as Jordan J. Ballor and Todd Steen point out in an article for First Things, the books and film presents a secularized alternative to the Christian virtue of hope:
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In today’s Acton Commentary, “Secular Scapegoats and ‘The Hunger Games,’” I examine the themes of faith and freedom expressed in Suzanne Collins’ enormously popular trilogy. The film version of the first book hit the theaters this past weekend, and along with the release has come a spate of commentary critical of various aspects of Collins’ work.

As for faith and freedom, it turns out there’s precious little of either in Panem. But that’s not necessarily such a bad thing, as I argue in today’s piece: “If Panem is what a world without faith and freedom looks like, then Collins’ books are a cautionary tale about the spiritual, moral, and political dangers of materialism, hedonism, and oppression.”

Last week I was also privileged to participate in a collection of pieces at the Values & Capitalism website related to “The Hunger Games.” I provide an alternate ending (along with some explanation here) at the V&C site, where you can also check out the numerous other worthy reflections on Collins’ work.
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Eric Teetsel, who runs the Values & Capitalism project over at AEI, invited me (among others) to pen some alternative endings to the Hunger Games trilogy. Eric is concerned that at the ending of the series, “Collins’s characters deteriorate into self-interested, cynical, vengeful creatures. The parallels of their behavior post-victory with the actions of their former dictators are made clear. Katniss even votes in support of another Hunger Games, this time featuring the children of the elites who have been overcome. It’s a Blue State ending to a Red State story.”

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