Andrew Klavan on Hollywood's anti-Americanism

Thursday, February 7, 2008
One of my biggest disappointments in seminary was learning that there were some members of the faculty and student body who saw little redeeming value in the American experience. Patriotism was seen as somehow anti-Christian or fervent nationalism by some, and love of country was supposed to be understood as idolatry. I address a few of the issues at seminary in a blog post of mine “Combat and Conversion.” Often people who articulated this view would explain how patriots are not evil people necessarily, just misguided and lacking proper theological enlightenment.

Andrew Klavan has a thoughtful and engaging piece in City Journal titled, The Lost Art of War: Hollywood’s anti-American war films don’t measure up to the glories of its patriotic era. Klavan’s piece is powerful because it draws out much of the moral and intellectual bankruptcy of the left. A grave error is still being committed by foisting a moral relativism on American conflicts and defense, as if these conflicts are somehow no different than conquests by anti-democratic nations and despots. Klavan makes a case that contemporary liberals are actually anti-liberty, standing against the principles of the founding of our nation.

Perhaps what is most bizarre is the new moral relativism we see in places like Berkeley, where elected officials seem to be siding with the enemy rather than our own country. Hollywood is of course no exception, and the author dutifully traces their ideological transformation through the years and with various conflicts. Klavan states:
When warlike racial nationalism resurged in the thirties, only an answering “atavistic emotion of patriotism,” as Orwell wrote, could embolden people to stand against it.

Though European intellectuals and their left-wing American acolytes are loath to admit it, the U.S. had already provided an excellent new rationale for that emotion. Our Founding redefined nationhood along social-contract lines that Europeans can still only theorize about. Our love of nation at its best was ethical, not ethnic. Our patriotism was loyalty not to race, or even to tradition, but to ideals of individual liberty and republican self-governance.

Klavan also has much to say about contemporary Hollywood films:
In Redacted, Rendition, In the Valley of Elah, and Lions for Lambs—as in more successful thrillers like Shooter and The Bourne Ultimatum—virtually every act of the American administration is corrupt or sinister, and every patriot is a cynically misused fool. Every warrior, therefore, is either evil himself or, more often, a victim of evil, destined for meaningless destruction or soul-death and insanity. These movies’ anti-American attitudes strike me not as the products of original vision and reflection but rather as the tired expressions of inherited prejudices. The films work the way that prejudice works, anyway: by taking extraordinary incidents and individuals and extrapolating general principles from them.

When I lived on a former Strategic Air Command Air Force Base in New Hampshire, I remember going out to the flight line with my dad, who was a KC-135 pilot, to watch all the different military planes land. Some people of course would see the planes as weapons of destruction funded by self-serving imperial interests. I guess I always saw it as an amazing and heroic response to those who threatened liberty and a magnificent freedom birthed out of the “the shot heard round the world,” words which are inscribed on the Minute Man statue in Concord, Massachusetts. Klavan sums up the sentiment well:
Liberty, tolerance, the harmony of conflicting voices—these things didn’t materialize suddenly out of the glowing heart of human decency. People thought of them, fought and died to establish them, not in the ether, but on solid ground. That ground has to be defended or the values themselves will die. The warriors willing to do this difficult work deserve to have their heroism acknowledged in our living thoughts and through our living arts.
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'Coerced, Perfunctory, and Unreflective Patriotism'

Wednesday, August 1, 2007
Here’s the text of a letter sent this morning to the editor at Woman’s Day magazine (don’t ask why I was reading Woman’s Day. I read whatever happens to be sitting in the rack next to our commode):
Paula Spencer’s commentary on the Pledge of Allegiance (“Pledging Allegiance,” September 1, 2007) sounds incredibly McCarthy-esque. Are we to now believe that having qualms about mandatory recitation of the Pledge constitutes an un-American activity?

Spencer dismisses the many reasons that one might object to the Pledge in the context of public schools. These schools are, after all, institutional arms of the government itself, and attendance is mandatory (unless one can afford private or parochial options). A cynic might suggest that when combined with an obligatory recitation of allegiance to the nation, such education runs the risk of becoming indoctrination for the purposes of social control. As to whether nationalism can be such “a bad thing,” consider Germany in the 1930s.

There are also religious reasons why a person might feel compelled to abstain from pledging to a physical object (the flag). For Christians, whose citizenship is finally in heaven and whose ultimate loyalty is due to God alone, concerns about idolatry might compel a person to conscientiously refrain from making such a pledge. Indeed, those two little words “under God” which have occasioned such controversy in recent days are perhaps the only elements of the Pledge that make it even permissible for Christians to profess allegiance to any particular nation.

Patriotism too often can morph into xenophobia and nationalism. Whatever your views of the Pledge, I would think that the educational potential contained in having a “conversation with your child about your family’s approach to the Pledge” would be the sort of engaged parenting that your publication ought to praise and endorse rather than disdain.

The free exercise of religion, not to mention the freedom of speech and independent thought, are thoroughly American. A coerced, perfunctory, and unreflective patriotism is no true patriotism at all.

Jordan J. Ballor
Associate Editor
Acton Institute for the Study of Religion & Liberty

As Reinhold Niebuhr wrote, “The nation will always claim a portion of man’s loyalties. Since it usually claims too large a portion, it is necessary that other communities compete with it.”

By my way of thinking, for Christians the Church ought to be that community of primary loyalty (for Niebuhr, it’s the class: “There is no reason why a class which is fated by its condition of life to aspire after an equalitarian society should not have a high moral claim upon the loyalty of its members”).

It seems to me that American churches have a particularly hard time separating out what elements of their worship and piety are merely the trappings of civil religion and which are the indispensable elements of catholicity.

At the recreation center where my wife plays softball, and which is explicitly supported by the denomination, players, coaches, and umpires only pause to pray after the national anthem has been played. In itself its a small thing, perhaps even unimportant, but when combined with all the other similar elements (American flags near the pulpit, for example), it raises in my mind the perennial questions about ultimate loyalties and the proclivity for Christian denominations, particularly Protestants, to align themselves along national boundaries.

See also: “Which of These is More Offensive?”
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