One of the great things about ArtPrize is that it allows for much conversation about the creative process. On the streets, in the venues, at the coffee shops, one hears conversations about how an artist managed a particular technique, what inspired a piece of art, or what the underlying meaning in a piece might be. Bl. John Paul II, in his Letter to Artists, discussed the role of the artist in light of divine Creation by God:
God therefore called man into existence, committing to him the craftsman’s task. Through his “artistic creativity” man appears more than ever “in the image of God”, and he accomplishes this task above all in shaping the wondrous “material” of his own humanity and then exercising creative dominion over the universe which surrounds him. With loving regard, the divine Artist passes on to the human artist a spark of his own surpassing wisdom, calling him to share in his creative power. Obviously, this is a sharing which leaves intact the infinite distance between the Creator and the creature, as Cardinal Nicholas of Cusa made clear: “Creative art, which it is the soul’s good fortune to entertain, is not to be identified with that essential art which is God himself, but is only a communication of it and a share in it”.
That is why artists, the more conscious they are of their “gift”, are led all the more to see themselves and the whole of creation with eyes able to contemplate and give thanks, and to raise to God a hymn of praise. This is the only way for them to come to a full understanding of themselves, their vocation and their mission.
One of the pieces of art presented at the Acton Building during ArtPrize is entitled The Bridegroom Disfigured Under His Casino Crown and is meant to speak to the idea of stewardship. In the video below, artist Daniel Jacob discusses his creation of the piece.
This video is a small part of the Acton-produced curriculum, Our Great Exchange.