Clive Cook has a terrific article in the March 2006 Atlantic Monthly that is worth reading in its entirety. But here’s my favorite paragraph:
What is most striking, so far as the movies’ treatment of capitalism goes, is not the hostility of films whose main purpose is actually to indict corporate wickedness (Wall Street, Erin Brockovich, A Civil Action, The Insider, The Constant Gardener, and so forth). It is the idea of routine, reckless corporate immorality—maintained as though this premise were inoffensive, uncontroversial, and hardly worthy of comment—that drives movies whose principal interest lies elsewhere, whether in the human drama of contemporary geopolitics (Syriana, to cite a recent instance), knockabout comedy (Fun with Dick & Jane), children’s fantasy (Charlie and the Chocolate Factory), star-crossed romance (In Good Company), or, classically, in some dystopian near or distant future (Alien, The Terminator, Blade Runner, Robocop, and many others).
The point is not that such movies, or the culture more generally, argue that capitalism is evil. Just the opposite: it is that they so often merely assume, innocently and expecting to arouse no skepticism, that capitalism is evil.
I’ve been compiling a list of popular movies in which the business entrepreneur is treated in a positive manner. It’s a very sparse list. One of the few I’ve thought of is Charlie and the Chocolate Factory. The fact that Cook cites it in his list illustrates that even this is an ambiguous example. There are bad-guy business people who want to steal Willie Wonka’s secrets, but at least in its most recent incarnation, with John Depp playing Willie Wonka, Wonka is portrayed as a good, if highly eccentric, entrepreneur. Perhaps this is the exception that proves the rule. When Hollywood occasionally portrays an entrepreneur positively, he must highly eccentric–that is, atypical.
I’m sure there are some exceptions to the Hollywood theme of business=evil, but I can’t think of any off the top of my head.