The Last Supper and new life
Religion & Liberty Online

The Last Supper and new life

Giorgio Vasari - Last Supper“Succumbing to despair is by definition never a winning strategy, which is why the story of Giorgio Vasari’s painting, ‘The Last Supper,’ resonated so strongly with me when I read it had been successfully restored,” says Rev. Robert A. Sirico in this week’s Acton Commentary.

I’ve loved Vasari since discovering his “Lives of the Artists” when I was in college, and the restoration of his work (not to be confused with the more famous Last Supper of Leonardo da Vinci) was reported a week before one of the most bitterly fought presidential elections of my memory. Readers at that time may have found little space for optimism, and much less hope for the immediate future. But we at the Acton Institute recognize that recent events only represent an opportunity to redouble our efforts to advance free-market principles based on sound religious doctrine.

The full text of the essay can be found here. Subscribe to the free, weekly Acton News & Commentary and other publications here.

Joe Carter

Joe Carter is a Senior Editor at the Acton Institute. Joe also serves as an editor at the The Gospel Coalition, a communications specialist for the Ethics and Religious Liberty Commission of the Southern Baptist Convention, and as an adjunct professor of journalism at Patrick Henry College. He is the editor of the NIV Lifehacks Bible and co-author of How to Argue like Jesus: Learning Persuasion from History's Greatest Communicator (Crossway).