Titus Techera is the executive director of the American Cinema Foundation.

Posts by Titus Techera

Waiting for a miracle in the noir classic Laura

I will close this series on film noir with Laura, because it’s altogether more beautiful and it has something of a happy ending. In being the most beautiful noir, it also involves the most sophisticated reflection on beauty in its relation to American society and to tragedy. Continue Reading...

Masculine despair in The Killers

My first film noir essay was on The Maltese Falcon, whose ambitious protagonist, private detective Sam Spade, chooses justice over an uncertain promise of happiness, the love of a dangerous woman. Continue Reading...

Film noir and the movie-made American male

Recently I spoke at Hillsdale College on film noir as part of a program that introduced audiences to four of the most impressive movies in the genre that defined the tough detective in America and the less popular type of doomed romantic. Continue Reading...

Licorice Pizza is the L.A. fairy tale we didn’t know we needed

My series on cinematic nostalgia continues—after Wes Anderson’s Francophilia, Ridley Scott’s Italian farce, and Spielberg’s Puerto Rican fiasco, here’s a California story: Paul Thomas Anderson’s ninth feature film, Licorice Pizza, the only Hollywood movie made last year with some reason to be remembered. Continue Reading...

The French Dispatch is a nostalgic look back at a Paris of the imagination

I offer you a series on Hollywood as seen by its artists, on the occasion of the impending Oscars. I don’t mean the dominant liberal arrogance that has doomed cinema, but rather the efforts of artists who have spent their careers trying to advance a view of America that might bring us together, or at least help prevent us coming apart, the concern of all decent people who have influence. Continue Reading...