Titus Techera

Titus Techera is the Distinguished Fellow in American Culture at Hillsdale College, International Program Coordinator at the Edmund Burke Foundation, a researcher in the European Center of Political Philosophy at Mathias Corvinus Collegium, and managing editor of the European Journal of Political Philosophy.

Posts by Titus Techera

When a Joke is the difference between freedom and tyranny

This year, at the Karlovy Vary Film Festival, the major film attraction in Eastern Europe, there was a memento of the Prague Spring: a newly restored version of the 1969 movie The Joke, directed by Jaromil Jireš and adapted by him and Milan Kundera from the latter’s eponymous debut novel. Continue Reading...

Does The Godfather believe in America?

This month the Tribeca Film Festival celebrated the 50th anniversary of the premiere of The Godfather, an important movie, a movie we at some point got in the habit of calling iconic, and we might remember it made stars of a number of actors, starting with Al Pacino. Continue Reading...

Jurassic World: Dominion is transhumanism as entertainment

There’s a new Jurassic World movie out in theaters, to round up the post-Spielberg trilogy that began in 2015 and continued in 2018, a long time for a trilogy these days—the Star Wars sequel trilogy came out in four years, as do many of these blockbusters (for example, three Kong & Godzilla movies 2017–2021). Continue Reading...

Disney’s new Moon Knight series mocks both gods and men

My previous essays reviewed two Progressive visions of manliness. Michael Mann’s HBO series Tokyo Vice reduces contemporary Japan to racism, sexism, and homophobia. Michael Bay’s Ambulance relatedly gives us a contemporary America where ethnic minorities, strong, independent women, and gay protagonists vanquish an evil white man. Continue Reading...

Michael Bay’s Ambulance is DOA

Film critics recently have been trying to encourage their audiences to return to theaters—cinema, after all, is a lot more impressive on a big screen and in the company of people who share our emotions. Continue Reading...

Waiting for a miracle in the noir classic Laura

I will close this series on film noir with Laura, because it’s altogether more beautiful and it has something of a happy ending. In being the most beautiful noir, it also involves the most sophisticated reflection on beauty in its relation to American society and to tragedy. Continue Reading...