The biggest box office success in cinema history, strictly in dollars taken in, is Avatar, the 2009 movie that made 3D a technology audiences would finally flock to. The movie made some $785 million in America, more than another $2 billion in the rest of the world, adding up to about $2.9 billion. Continue Reading...
Last New Year’s Eve, I wrote about Billy Wilder’s The Apartment. It’s the best movie on the ambivalence with which we welcome the end of one year and the coming of a new one, worrying whether it promises that our dreams will come true, whether we will live up to our resolutions to be better. Continue Reading...
Michael Curtiz, famed director of Casablanca, made a Christmas movie in 1955, starring Humphrey Bogart, called We’re No Angels, about the power of innocence and moral decency to transform even hardened criminals—of whom Bogart is one, the other two played by the famous British actor-director Peter Ustinov and the American son of Italian immigrants Aldo Ray. Continue Reading...
Martin Scorsese turned 80 last month and he deserves celebration. He’s one of perhaps five directors in Hollywood who is respected as a master of the cinematic art, and the one most closely identified with the art itself. Continue Reading...
Barry Levinson was one of the most successful directors in America around 1990, when he made Avalon, an immigrant Thanksgiving movie trying to sum up the transformation of the American family in the 20th century. Continue Reading...
At the beginning of the year, I wrote a piece for Acton on Elizabeth Holmes, the con artist behind Theranos, the fake tech startup promising a revolution in blood tests and, thus, the beginning of a solution to the problem of healthcare costs. Continue Reading...
I recently wrote about what has come of Disney, whose new Pinocchio seems to be all about getting rid of morality as we have understood it. Instead of learning that actions have consequences and how to behave with a view to growing up, children are supposed to be flattered until they get into trouble, and then further flattered by being told that the rest of the world is causing their problems. Continue Reading...
Halloween has somehow become a celebration of America becoming American, a New World unlike the Old World, a place where horror is a literary or cinematic genre rather than a memory—the dimly recollected past stretching back millennia through seemingly endless suffering, man’s inhumanity to man, older than civilization. Continue Reading...
If there’s anything close to national mythology in America nowadays, it’s Marvel. This may be depressing, but we should nevertheless face the fact and make the best of it. Before that, it was Star Wars, which is still an incredibly profitable business, even as it is failing. Continue Reading...
American parents used to trust Disney to charm their kids with beautiful fairy tales. Most such tales were European in origin, but Disney Americanized them, made them more democratic, less bloody minded, and ultimately hopeful. Continue Reading...
