The Disordered Loves of The Last of Us

The Last of Us is the latest prestige drama from HBO and has gained near universal critical acclaim, garnering the second-largest audience for the network since 2010, trailing only the Game of Thrones prequel series, House of the Dragon. Continue Reading...

House of the Dragon Is Nihilism for Teens

I recently wrote about what has come of Disney, whose new Pinocchio seems to be all about getting rid of morality as we have understood it. Instead of learning that actions have consequences and how to behave with a view to growing up, children are supposed to be flattered until they get into trouble, and then further flattered by being told that the rest of the world is causing their problems. Continue Reading...

The Survivor asks something of its audience

Barry Levinson is 80. The Oscar-winning writer-director has played a part in several of the best movies and TV shows of the past half century—and a few of the worst. That pattern of mixing abominable stinkers with memorable successes has continued into the past decade. Continue Reading...

Film Review: Taking Chance

Lieutenant Colonel Mike Strobl began his 2004 essay “Taking Chance” by saying, “Chance Phelps was wearing his Saint Christopher medal when he was killed on Good Friday. Eight days later, I handed the medallion to his mother. Continue Reading...

PBR: Conservatives and Hollywood

One of the more interesting discussions at last week’s Heritage Foundation Resource Bank meeting in Los Angeles was the “Hollywood Conversations” session with screenwriter and novelist Andrew Klavan and Lionel Chetwynd, a writer, producer and director. Continue Reading...

George Hearst of Deadwood: ‘The-boy-the-earth-talks-to’

In a bit of an addendum to my review of the HBO series Deadwood in the current issue of Religion & Liberty, “A Law Beyond Law: Life Together in Deadwood,” I couldn’t help thinking of this bit from Clement of Alexandria when describing George Hearst, the über-robber baron of the Old West. Continue Reading...