Acton Institute Powerblog Archives

Post Tagged 'hollywood'

Hollywood’s Lost Paradise

Dreams can often turn into nightmares. And dreams in Hollywood are a special kind, as are the nightmares that can follow. One day you’re getting ready to audition for a role in a movie. Continue Reading...

Sunset Blvd. Is Your New Year’s Sanity Test

Last New Year’s Eve, I wrote about Billy Wilder’s The Apartment. It’s the best movie on the ambivalence with which we welcome the end of one year and the coming of a new one, worrying whether it promises that our dreams will come true, whether we will live up to our resolutions to be better. Continue Reading...

The two lives of Steve McQueen

Someone once said of Steve McQueen (1930–80) that his range as an actor was deep but not very broad. All right, I admit it—I said it in my 2001 biography of the all-American star who still looms over Hollywood like a sort of male equivalent of the Statue of Liberty, more than 40 years after his untimely death. Continue Reading...

Hollywood’s craven surrender to the Chinese Communist government

Who’s in charge in Hollywood? Surely studio bosses, well-compensated executives, A-list actors, and celebrated writers and directors set the agenda in the American entertainment industry, don’t they? Not so fast, says Wall Street Jour­­nal reporter Erich Schwartzel in a rigorously researched, admirably hard-hitting new book that looks at the pernicious influence of China on Hollywood. Continue Reading...

Soylent Green takes place in 2022, which is nice

According to an old Hollywood commonplace, nothing can beat the plot of a good sci-fi film when it comes to predicting the future. Many of the promotional taglines that accompany these features assure us that, should we invest in a ticket, we’ll be “entertained” and “educated,” or even “enlightened,” by a product that “presciently signifies the all-but-inescapable fate of our planet” (2012), that warns of a future that “looks, feels, and almost tastes and smells like a nightmare vision of our times” (1984), or that offers a “harsh but searingly urgent” glimpse of the overall prospects for mankind (Blade Runner). Continue Reading...

Peter Bogdanovich left behind one last cinematic gem

Peter Bogdanovich has died, America’s only famous chronicler of Old Hollywood, a young friend of Orson Welles and an admirer of John Ford, and a director in his own turn of celebrated dramas like The Last Picture Show (1971), a coming-of-age story about bored kids who don’t like their small town and have only their good looks to recommend them, a Hollywood specialty that won him Oscar nominations for Best Director and Best Screenplay, and What’s Up, Doc? Continue Reading...