The Acton Institute, founded 23 years ago, is ready to move into its new home in the heart of Grand Rapids, MI. Not only will Acton have more room for events, visiting scholars, and conferences, the new building boasts the best in technological innovations, while seeking SERF (Society of Environmentally Responsible Facilities) certification for its re-use and recycling of the original historic building at 98 E. Fulton. According to Mlive.com:

Read more on A High-Tech Base for Acton’s Free Market Mission…

In his magnificent reflection on the nature of art, Real Presences, polymath George Steiner invites us to make a thought experiment: What if we lived in a city where all talk about art, mere talk about art, was prohibited? In other words, what would follow if we did away with artistic criticism qua criticism, an activity derivative by nature and one Steiner calls “high gossip”? In this posited city, what Steiner calls the Answerable City, the only permitted response to a work of art would be another work of art. Thus participation in the “art scene” could never launch itself from the risk-free loft of criticism, but it must be real participation, a participation that demands that the viewer invest something of his own imaginative capacities. In this city, the word “interpretation” denotes not something exegetical, but something performative; an activity not of professional academics or theater critics, but of actors and directors — as in an actor “interprets a role.” Here, art means incarnation, not judgment.

But such a city is only a thought experiment, and since judgment requires the participant to invest less of himself, it will always be easier to be a critic than to be an artist. And therefore the artist will always be tempted first to pass judgment rather than to respond with his own creativity.

After a decade of trying to walk the slippery ridge between “he who does” and “he who discusses” art, I have tried to avoid criticism these last couple of years to focus only on doing. But I feel the need to again jump into the critical ring, thanks to a recent article in GQ Magazine (it was sent to me by a friend), an article on my own town, Grand Rapids, and its increasingly famous festival, ArtPrize. Read more on The Corruptions of Power: Gossip of the Highest Sort…

At the Mackinac Center blog, I look at a really shabby piece of reportage in GQ Magazine on ArtPrize, the annual public art competition in Grand Rapids, Mich. Grand Rapids is also where the Acton Institute is based and it’s a terrific Midwestern city doing a lot of things right. But when East Coast writer Matthew Power visited GR he saw only “flyover country,” a “provincial” mindset, “G.R.-usalem” (lots of churches) and “ordinary” local inhabitants.

Read more on GQ, ArtPrize and ‘Flyover Country’…

Inspired by Art Prize, I wrote a blog about culture, technology, and the universal desire for community. This appeared on Ethika Politika‘s blog today and an excerpt can be found below:

Read more on Community, Culture, and Confession…

If you couldn’t make it to Derby Station in East Grand Rapids last night, there are a couple of things you should know. First of all, you missed a great event and some good conversation. Secondly, you need not worry: we recorded it, and you can listen to David Michael Phelps’ presentation on Art, Patrimony, and Cultural Investment via the audio player below.

Read more on Acton On Tap: Art, Patrimony, and Cultural Investment…

Last week, we posted part 1 of our podcast on the proper Christian stewardship of art; for those who have been waiting for the conclusion, we’re happy to present part 2.

David Michael Phelps continues to lead the discussion between Professors Nathan Jacobs and Calvin Seerveld, who previously debated this topic in the Controversy section of our Journal of Markets & Morality. The first portion of that exchange is available at the link for part 1; the remainder of the Controversy can be read by clicking here.

If you’re interested in some additional reading on this topic, Jordan Ballor was kind enough to pass along an article from Mere Orthodoxy that asks a provocative question:

…do enough theologians produce material that artists would find helpful? Do enough artists consider theologians indispensible sleuths for finding hidden metaphors?

Read more on Radio Free Acton: The Stewardship of Art, Part 2…

There have been some engaging challenges to the view presented of work and its relationship to culture and civilization over the past few weeks (here, here, and here). I hope to post a more substantive response to some of the comments in the next few days. But in the meantime, let me pass along a helpful item that outlines the view of Pope John Paul II on the relationship between “culture” and “cultivation.”

Read more on Leisure and Work, Art and Culture…

September in Grand Rapids means the return of ArtPrize, which bills itself as a “radically open” art competition, juried by the general public, and awarding the largest cash prize for an art competition in the world – $250,000 for first place.

As the competition takes place in the hometown of the Acton Institute – in fact, many artists exhibited their work in our building last year, and will do so again this year – it’s hard for us to miss it. And frankly, the questions that have been raised about the impact of such a non-professional, wide-open art contest with such a large prize at stake on the art world (for example, does ArtPrize foster real art, or are artists simply pandering to the public to have a shot at the prize) are too intriguing to pass up.

This edition of Radio Free Acton tackles the question of how Christians should steward the arts. The participants, Professors Nathan Jacobs and Calvin Seerveld, previously debated this topic in the Controversy section of our Journal of Markets & Morality (Volume 12, Number 2 – you can read the first part of their debate at this link), and we thought it would be interesting to bring them together for a live exchange as well. Special thanks are due to David Michael Phelps, who agreed to sit in as the moderator of the program.

Read more on Radio Free Acton: The Stewardship of Art, Part 1…