Posts tagged with: creativity

As leaders of HOPE International, an organization that empowers men and women across the globe through business training, savings services, and small loans, Peter Greer and Chris Horst have witnessed the transformative impact entrepreneurship can have on individuals and communities, particularly when paired with the power of the Gospel.

In Entrepreneurship for Human Flourishing, a new book for AEI’s Values and Capitalism project, they explore this reality at length, offering compelling stories of businesspeople that illustrate the profound importance of free enterprise and entrepreneurship in equipping the poor and empowering the marginalized.

Watch the trailer for the book here:

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allisgift1 - Copy (2)“All that exists is God’s gift to man, and it all exists to make God known to man, to make man’s life communion with God…God blesses everything He creates, and, in biblical language, this means that He makes all creation the sign and means of His presence and wisdom, love and revelation.” -Alexander Schmemann, from For the Life of the World

In Episode 1 of For the Life of the World, a new series from the Acton Institute, Evan Koons discovers the concept of oikonomia, or, “God’s plan for his whole household of creation,” realizing that the more specific areas and “modes of operation” that God has designed us to work within (families, businesses, governments, institutions) are meant to harmonize with each other.

To illustrate the idea, Koons compares God’s economy to music. Pointing to a xylophone, he notes that a xylophone has its own particular mode of operation — its own rules, its own economy. It works differently than, say, a ukulele or a trombone or an upright bass. Yet played together in proper harmony, each of these instruments coordinate their unique patterns and modes of operation to create something unified yet varied, rich and beautiful.

But Koons doesn’t stop here, eventually moving on to ask the even bigger question: “What is the actual song, anyway?”

The answer, we learn, is gift. We were created to be gift-givers, “crafted in God’s own image, with his own breath, crowned with glory and honor.” And “in that same abundance,” Koons continues, “he blessed us, and he said go, explore my world. Unwrap the gift of my creation. Bless the world with your own gifts.” (more…)

Mike Mulligan and His Steam Shovel, Virginia Lee BurtonCreative destruction can be a painful thing, particularly when you’re the one being destroyed. I’ve been-there done-that, and when things hit, I can’t say that I cared too much about Joseph Schumpeter and his fancy ideas.

Alas, even when we have a firm understanding of the long-term social and economic benefits of such destruction — that whatever pain we’re experiencing is for the “greater good” of humanity — we can’t help but feel unappreciated, devalued, and cast aside. Our work is an expression of ourselves, something we offer to society and (hopefully) believe to be of considerable worth.

Thus, when we experience such rejection, it’s only natural to react bitterly and become cynical, resentful, or fatalistic, allowing our attitudes and behaviors to correspond in turn. We’re tempted to doubt ourselves or doubt others, to sit back or plod forward halfheartedly, to feel entitled, believing that our “service” deserves a place in the economic landscape, regardless of what the economic signals might say.

Yet amidst theese competing emotions, we mustn’t forget that, in addition to concerns about productivity, efficiency, and economic progress, for the Christian, our work is ultimately service to others, and thus, to God. If someone has discovered new and better ways to meet our neighbors’ needs, it should tell us that it’s time to tweak our game and find new ways to contribute, as hard and uncomfortable as that may be. Our work is not a mere means to a paycheck, and neither are we mindless, powerless cogs in some grand machine, manufactured and predestined to spin mindlessly along only to be bypassed by the Next Big Thing and consigned to the city dump.

In her 1939 children’s book, Mike Mulligan and His Steam Shovel, Virginia Lee Burton gets to the heart of all this, tapping into the deep and profound pain of creative destruction, while ultimately pointing the way forward — toward creativity, service, and authentic human flourishing. (more…)

american heroIn a fascinating essay in Mosaic, Charles Murray examines the spirit of innovation in America. He asks,

As against pivotal moments in the story of human accomplishment, does today’s America, for instance, look more like Britain blooming at the end of the 18th century or like France fading at the end of the 19th century? If the latter, are there idiosyncratic features of the American situation that can override what seem to be longer-run tendencies?

The author of Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, Murray amassed data from virtually all of human history, across cultures and in vast categories of human endeavor. He believes that there are patterns to innovation, creativity and advancement, and that certain cultural standards support and encourage this, while others degrade it. Murray makes the case that America is floundering, if not fading, when it comes to innovation and invention. (more…)

In his new book, Knowledge and Power, the imitable George Gilder aims at reframing our economic paradigm, focusing heavily on the tension between the power of the State and the knowledge of entrepreneurs — or, as William Easterly has put it, the planners and the searchers.

“Wealth is essentially knowledge,” Gilder writes, and “the war between the centrifuge of knowledge and the centripetal pull of power remains the prime conflict in all economies.”

In a recent interview with Peter Robinson, he fleshes out his thesis:

Quoting Albert Hirschman, Gilder notes that, “Creativity always comes as a surprise to us,” continuing (in his own words), “if it didn’t, we wouldn’t need it and planning would work….Entrepreneurial creativity is almost defined by its surprisal —  by its unexpected character.”

Making room for such surprise requires a dose of Hayekian humility, but as for the shapes, contours, and origins of the surprise itself, Christianity has plenty to say. (more…)

Book information: The New School: How the Information Age Will Save American Education from Itself by Glenn Harlan Reynolds. Jackson, TN: Perseaus Books, 2013. Pp. viii + 106. Paperback. $21.50.

Instapundit’s Glenn Harlan Reynolds’ The New School: How the Information Age Will Save American Education from Itself is a clear and succinct, yet thorough, essay on creative destruction and American education. This slim volume (only about 100 pages) is divided approximately into 50 pages on higher education, 25 on secondary and elementary, and 25 on predictions and concluding remarks. While this might seem surprisingly brief, those of us who have been following the education crisis in the U.S. know that, actually, the problem really isn’t that complex.

As Reynolds summarizes his dean’s comments on the crisis, “Everybody knows there’s a problem; they just don’t want to talk about it because they don’t know what to do about it, and they’re afraid of what they might have to do if they did.” Very simply, what we have is a product (college degrees), whose cost has greatly outpaced inflation over the last 30 years and whose quality has plummeted, calling into question its key selling-point, viz. the idea that getting a college degree is a reliable means of upward income mobility. “The current system isn’t working,” he writes. “And, alas, neither are too many of its graduates. There may be a connection.” In the face of this, growing numbers of people simply aren’t buying the current model. (more…)

Gray Matters, Brett McCrackenIn his 2010 book, Hipster Christianity, Brett McCracken explored the dynamics of a particular cultural movement in (and against) modern evangelicalism. In his new book, Gray Matters: Navigating the Space Between Legalism and Liberty, he pulls the lens back, focusing on how the church more broadly ought to approach culture, particularly when it comes to consuming it.

Though McCracken’s book focuses on just four areas — food, drink, music, and film — his basic framework and the surrounding discussion offers much for Christians to ponder and absorb when it comes to cultural engagement at large.

In an interview with On Call in Culture, McCracken was kind enough to answer some questions on the topic.

Early on, you explain that your book is not about “making culture,” but about “consuming culture well.” Yet you also note how consumption and creation can intersect and overlap. How does our approach to consumption impact our creative output?

In order to be a good creator of culture, one must be a good consumer of it. We will never make great films if we don’t love the greatest films, know the greatest films, and understand why they are great. The best chefs are the ones who love food the most and take the time to consume it well — to pay attention to flavor profiles, to savor tastes that go well together, to understand what cooking methods work and don’t work, etc. The great artists in history didn’t just make their masterpieces from some innate mastery of technique. They studied the masters first and did the work of understanding why one painting or symphony was a masterpiece and why another one wasn’t. They were good consumers before they were good creators. (more…)

Among many other bizarre claims in his most recent article at The American Conservative, Patrick Deneen writes,

Today’s conservatives are liberals — they favor an economy that wreaks “creative destruction,” especially on the mass of “non-winners,” increasingly controlled by a few powerful actors who secure special benefits for themselves and their heirs….

Pace Inigo Montoya, I actually have no idea what Deneen thinks creative destruction means in this context.

Setting aside the question of whether or not it is a bad thing (or accurate, for that matter) to say that “[t]oday’s conservatives are liberals,” I am far more concerned with how Deneen thinks creative destruction is “wreaked” upon “non-winners.” This is further complicated by his implication that creative destruction supports, rather than threatens, “a few powerful actors.” (more…)

ArtPrize, the largest art competition in the world held annually in Grand Rapids, Mich., continues until October 6. The Acton Building is hosting five artists, whose work can be viewed here.

One of the great things about ArtPrize is that it allows for much conversation about the creative process. On the streets, in the venues, at the coffee shops, one hears conversations about how an artist managed a particular technique, what inspired a piece of art, or what the underlying meaning in a piece might be. Bl. John Paul II, in his Letter to Artists, discussed the role of the artist in light of divine Creation by God:

God therefore called man into existence, committing to him the craftsman’s task. Through his “artistic creativity” man appears more than ever “in the image of God”, and he accomplishes this task above all in shaping the wondrous “material” of his own humanity and then exercising creative dominion over the universe which surrounds him. With loving regard, the divine Artist passes on to the human artist a spark of his own surpassing wisdom, calling him to share in his creative power. Obviously, this is a sharing which leaves intact the infinite distance between the Creator and the creature, as Cardinal Nicholas of Cusa made clear: “Creative art, which it is the soul’s good fortune to entertain, is not to be identified with that essential art which is God himself, but is only a communication of it and a share in it”.

That is why artists, the more conscious they are of their “gift”, are led all the more to see themselves and the whole of creation with eyes able to contemplate and give thanks, and to raise to God a hymn of praise. This is the only way for them to come to a full understanding of themselves, their vocation and their mission.

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Created by Square One

Created by Square One

ArtPrize 2013, September 18-October 6, will be many things. For some, it will be a chance to experience art in a unique way, all over the city of Grand Rapids, for free. For others, it will be a competition: hotly debated and fodder for discussion over the dinner table, at the water cooler and in the media. And for others, it will be a boost for local businesses.

Now in its fifth year, ArtPrize was developed by Grand Rapids native Rick DeVos. He describes the annual event as a “celebration of creativity.” Offering $560,000 in prizes, ArtPrize’s focus is on the public vote. The people who visit, view and critique the art vote, and the artist with the most votes receives $200,000. There is also a juried vote, but ArtPrize is definitely an experience of the people, not experts. In addition, much of the art from the 1500+ participating artists is for sale to the public. (more…)