Posts tagged with: creativity

kickstarter1Several years ago, as a music student in college, I remember hearing constant complaints about “lack of funding for the arts.” Hardly a day would go by without a classmate or professor bemoaning the thin and fickle pockets of the bourgeoisie or Uncle Sam’s lack of artistic initiative.

Little did we know, a shake-up was already taking place, driven by a mysterious mix of newfound prosperity, entrepreneurial innovation, and the market forces behind it. The digital revolution was beginning to level the playing field and drain power from tanks and banks of all kinds, from the Hollywood execs with dollar signs in their eyes to the aesthetically enlightened cronies at the National Endowment for the Arts. Despite the many prophecies of a creative apocalypse, a bottom-up revolution was taking place.

Amid the sea of new technologies and tools that were soon to emerge — streaming music, streaming movies, ebook publishing — crowdfunding rose as a powerful path to creative independence: artistic, economic, and otherwise. Leading the pack is Kickstarter, with success stories abounding, from inventors to thespians to foodies to photographers, and with routine funding results that actually surpass the NEA. (more…)

Blog author: jsunde
Wednesday, September 2, 2015

creativity-capitalism-money-crashCapitalism is routinely castigated as an enemy of the arts, with much of the finger-pointing bent toward monsters of profit and efficiency. Other critiques take aim at more systemic features, fearing that the type of industrialization that markets sometimes tend toward will inevitably detach artists from healthy social contexts, sucking dry any potential for flourishing as a result.

But what if the opposite is true? I offer the argument over at The Federalist.

Free economies introduce their own unique challenges for artists and consumers alike. We are justified in cringing at the array of bottom-dollar record-company execs and merchandising-obsessed Hollywood crackpots (though I will always prefer their ilk to your run-of-the-mill Commissar of the Arts). But the increases in economic empowerment that have led to these many marketing machines have also led to plenty of artistic empowerment in turn.

In an article for New York Times Magazine, Steven Johnson reinforces this very point, observing that the many apocalyptic prophecies about arts in the digital age have not quite manifested. “In the digital economy, it was supposed to be impossible to make money by making art,” he writes. “Instead, creative careers are thriving — but in complicated and unexpected ways.” (more…)

trade21Many conservatives exhibit a peculiar tendency to be pro-liberty when it comes to business, trade, and wages, but protectionist when it comes to the economic effects of immigration.

It’s an odd disconnect, and yet, as we’ve begun to see with figures like Donald Trump and Rick Santorum, one side is bound to eventually give way. They’ll gush about the glories of competition, but the second immigration gets brought up, they seem to defer to labor-union talking points from ages past.

When pressed on this in a recent podcast, immigration protectionist Mark Krikorian argued that the difference is that immigrants are people not products, and thus they make things a bit more problematic. It’s more complicated and disruptive, he argues, when you’re dealing with actual people who have diverse and ever-shifting dreams. (more…)


Jean Valjean in “Ep. 4: The Economy of Order”

“Seeking justice isn’t a matter of designing the right programs or delivery systems… Seeking order means acting in accord with a true vision of our brothers and sisters.” –Evan Koons

American society and public discourse seem to be stuck in a state of feverish discord, rightly concerned with severe acts and systems of injustice, even as we continue to dig deeper cultural divides over everything from healthcare to sexual ethics, race relations to religious liberty, immigration to foreign policy.

As Evan Koons asks in Episode 4 of For the Life of the World: Letters to the Exiles: “How are we to operate with so much hurt, so much dysfunction in the world? What hope is there for justice?”

When we consider the Economy of Order, it can be intimidating to even think about enacting change. Government, policy, and the big bureaucratic food chain that supports it all don’t necessarily tend  toward inspiring optimism, patience, and trust. (more…)

girl gradDoes having a college diploma mean you are ready for the workforce? It depends on who you ask. If you ask those involved with higher education, almost 75 percent say, “yes.” However, both students and employers are less sure: less than 60 percent of those groups feel college grads are well-prepared for a professional career.

What are employers looking for, if not a diploma? They want proficiency in four key areas: communication, collaboration, creativity and critical thinking. With colleges and universities seemingly consumed with avoiding “microagressions” and providing “safe spaces” for students who are offended by everything from a guy who eats meat to a woman who dares to say that pay inequality in the U.S. is a fallacy, it’s hard to imagine there is much constructive communication going on. (more…)

globe-fabricIn Leonard Reed’s famous essay, “I, Pencil,” he highlights the extensive cooperation and collaboration involved in the assembly of a simple pencil — complex coordination that is quite miraculously uncoordinated.

Reed’s main takeaway is that, rather than try to stifle or control these creative energies, we ought to “organize society to act in harmony with this lesson,” permitting “these creative know-hows to freely flow.” In doing so, he concludes, we will continue to see such testimonies manifest — evidence for a faith “as practical as the sun, the rain, a cedar tree, the good earth.”

In his book, Work: The Meaning of Your Life, Lester DeKoster explores the theological aspect of this phenomenon, noting God’s grand design in these webs of service and exchange. For DeKoster, this “practical faith” points rather clearly to a Creator, and when we recognize it, we begin to see how His purposes might manifest through our work in ways out of our immediate control or humanistic intent.

Echoing Reed’s essay, DeKoster refers to this web of exchange as the “fabric of civilization,” stitched together with the “countless tiny threads” of human work, each dependent on the other, but each mysteriously guided by an independent source. (more…)

smile-curveThe smile curve is an idea came from the computer industry, but it applies broadly. It’s a recognition, in graph form, that there is good money to be made (or more value to be added) in research and development, and, at the other end, in marketing and retailing.

It’s also a recognition that there is almost no profit to be made, except in high volumes, in the middle areas of manufacturing (assembly or shipping). This has hurt the American middle class because we used to be a manufacturing nation. Yet today, even where manufacturing is strong, it does not usually pay well.

It’s one reason so much factory work has gone overseas (especially textiles and assembly). In the early stages of a product, there is good money in the middle, but when it becomes common to make a car or a computer or a vacuum cleaner, then the value of manufacturing goes down, as we all know. (more…)

BroadwayUMC-naveIn the early 2000s, Broadway United Methodist Church had a series of outreach programs, including a food pantry, after-school program, clothing ministry, and a summer youth program that served up to 250 children per day. Today, these programs are completely absent, and it’s no accident.

“They’ve been killed off,” writes Robert King in a fascinating profile of the transformation for Faith and Leadership. “In many cases, they were buried with honors. But those ministries, staples of the urban church, are all gone from Broadway. Kaput.”

“One of the things we literally say around here is, ‘Stop helping people.’” says Rev. Mike Mather, the church’s pastor. “I’m serious.”

Although Mather was the first to initiate many of these programs, with some efforts going back as far as the late 1980s, after a series of circumstances, including a series of community tragedies, he began to believe that a new approach was needed. “I started paying attention to what they really cared about,” he says. (more…)

?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????Over the past 60+ years, Israel has emerged as an economic powerhouse despite all odds. With only 7.1 million people, no natural resources, and surrounded by enemies and constant threats, it has somehow managed to attract nearly $2 billion in venture capital. It produces more start-up companies than large countries like Japan, India, Korea, and the United Kingdom, and has more companies on the NASDAQ than any country other the United States. Given its range of challenges, how can this be?

In their book, Start-up Nation: The Story of Israel’s Economic Miracle, Dan Senor and Saul Singer set out to explore the question. Indeed, as countries across the world struggle to develop the human, cultural, and institutional capital necessary for a thriving economy, Israeli society appears to cultivate these features with ease.

What might the rest of us learn from such an example? “The West needs innovation,” the authors write. “Israel’s got it. Understanding where this entrepreneurial energy comes from, where it’s going, how to sustain it, and how other countries can learn from the quintessential start-up nation is a critical task for our times.”

The lessons are many, and throughout their book, Senor and Singer outline a host of competing theories and hypotheses. But of all the potential drivers, I was struck most by the role the nation’s military plays in cultivating Israeli culture and bolstering its unique ethos of innovation and entrepreneurship. As peace and prosperity have largely prevailed throughout much of the West (compared to most of human history), what “built-in” lessons of human existence might now need more of our attention? (more…)

“This is useless. This is gratuitous. This is wonder.” –Evan Koons

When we consider the full realm of Christian stewardship, our minds immediately turn to areas like business, finance, ministry, the arts, education, and so on — the places where we “get things done.”

But while each of these is indeed an important area of focus, for the Christian, stewardship also involves creating the space to stop and simply behold our God. Yes, we are called to be active and diligent and fruitful in acts of service and discipleship, but at the core, what is driving the work of our hands? Do we take the time to simply delight in our God, to behold the beauty of his creation, to reflect on his goodness, to fear him deeply and profoundly, to open our hearts and eyes and ears to the whispers of the Holy Spirit?

In For the Life of the World: Letters to the Exiles, they call this space the Economy of Wonder, and over at the FLOW blog, Evan Koons has been leaning on heavyweights like Peter Kreeft and Hans Urs von Balthasar to remind us of its importance. In a society where everything is weighed and rewarded and justified according to its pragmatic use, how do we relish in God’s divine mystery? (more…)