Posts tagged with: Ender Wiggin

EndersGameFormicOver at Think Christian, I take another look at Ender’s Game, focusing on the leitmotif of understanding and communication in Orson Scott Card’s work. This applies particularly to inter-species communication.

We might, in fact, riffing off the Norwegian parody pop song, say that the central question of Ender’s Game is, “What does the Formic say?” Ender is the only one with the genuine curiosity to find out, and doing so is how he moves beyond his bloody calling.

What we find out, in a sense, is that on the Formic understanding, each human being has the dignity and worth of a queen. We are all queens, or as the Bible puts it, made in the image and likeness of God. This reality becomes all the more salient when like the Formic queen, “dynamite with a laser beam,” we too are killer queens, to make another pop culture connection (HT: Dylan Pahman).

A key difference between the film and the book is that the film is pretty thin on answers to that question of inter-species communication. There is much more about what the Formics think and feel in the book. I’ll post some of the relevant sections, which include significant spoilers, below the break. If you have not seen the film, you should not read these sections!

But for those of you who have seen the film, just think about that question of understanding the Formics as you revel in “The Fox (What Does it Say?)”

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I and Jordan Ballor have already commented on Ender’s Game this week (here and here), but the story is literally packed with insightful themes, many of which touch upon issues relevant to Acton’s core principles. Another such issue is that of the problems with Neo-Malthusianism, the belief that overpopulation poses such a serious threat to civilization and the environment that population control measures become ethical imperatives.

Such a perspective tends to rely on one or both of the following fallacies: a zero-sum conception of economics ignorant of the last 200 years of sustained economic growth, which have allowed humankind to escape the Mathusian trap; or a belief that people are the problem when it comes to poverty.

In Ender’s Game, the story begins (more obviously in the book) with the fact that Ender Wiggen (Asa Butterfield) is a “Third,” a third-born child in a time when the international government of Earth had adopted a two-child policy. His parents had received special permission to have a Third because their first two children, Peter (Jimmy Pinchak) and Valentine (Abigail Breslin), had shown so much promise. Unfortunately, Peter had proven too aggressive and Valentine too compassionate. The government hoped that Ender would be a happy middle. (more…)

Ender’s Game, the recent film based on the best-selling science fiction novel, offers compelling insight into the idea of human capital, among many other compelling insights (e.g. this one and this one).

In Centesimus Annus, Pope John Paul II wrote, “besides the earth, man’s principal resource is man himself.” He goes on to emphasize the importance of human knowledge, intelligence, and virtue for human flourishing. In economic terms this idea is known as human capital. While affirming this truth, Ender’s Game challenges viewers to consider precisely what they might mean, demonstrating in the characters of Colonel Graff (Harrison Ford) and Ender Wiggen (Asa Butterfield) that the specifics of one’s definition makes all the difference. (more…)

Ender_WigginOne of the recurring themes in Ender’s Game is the dynamic surrounding Ender Wiggin’s apparent uniqueness: he was, it seems, quite literally born for the purpose of ending the conflict with the Formics. The source material as well as the film released last week raise moral questions surrounding what we might call “bloody callings” quite pointedly.

A popular quote from Frederick Beuchner sets a helpful framework for discussing the question of whether there can be legitimate callings to offices that require violence. “The place God calls you to is the place where your deep gladness and the world’s deep hunger meet,” says Beuchner. Alissa Wilkinson has helpfully pointed out something that Beuchner’s quote omits: our skills. The world may need something that we enjoy attempting to provide, but we may be no good at providing it. Wilkinson consider the case of the aspiring writer, but her observations apply to any pursuit.

Ender’s skills, if we might call them that, are apparently uniquely suited for competitive achievement. As his name suggests, he ends things. Ender embodies total victory. So how does Ender fit within this threefold requirement for discerning vocation?
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