On Tuesday, the Acton Institute, along with our friends from the Mackinac Center for Public Policy, welcomed F.H. Buckley, Foundation Professor at George Mason University School of Law and author of The Once and Future King: The Rise of Crown Goverment in America, for a lecture presentation in the Acton Building’s Mark Murray Auditorium. Buckley addressed the topic of his book, describing the increase in presidential that has occurred since the time of the founders, and which has reached its fullest flowering in the Obama Administration. You can watch the video below; if you haven’t listened already, you might be interested in the latest edition of Radio Free Acton which features an interview with Buckley.
The Michigan legislature passed right-to-work legislation today, a landmark event that promises to accelerate the state’s rebound from the near-collapse it suffered in the deep recession of 2008. The bills are now headed to Gov. Rick Snyder’s desk. The right-to-work passage was a stunning reversal for unions in a very blue state — the home of the United Auto Workers. Following setbacks for organized labor in Wisconsin last year, the unions next turned to Michigan in an attempt to enshrine prerogatives for their organizing efforts in the state constitution. A union-backed ballot proposal was handily defeated by voters in the Nov. 6 election.
But according to some on the Christian left, the right-to-work law is the worst thing that could happen to “workers.” Bishop Thomas Gumbleton, a retired auxiliary bishop of the Catholic Archdiocese of Detroit, argued in an opinion piece that right-to-work “devastates economic justice.” He claims to speak not just for Catholics or for Christians but quite simply for faith communities all over the world:
At the core of Christianity, Judaism, Islam and all great religions are the values of dignity and respect, values from which economic justice and the right to organize can never be separated.
Gov. Rick Snyder’s Presbyterian tradition “affirms the rights of labor organization and collective bargaining as minimum demands of justice.” Similar statements have been made by the United Methodist Church, the United Church of Christ, the Union for Reform Judaism and the Evangelical Lutheran Church in America, to name but a few. (more…)
At the Mackinac Center blog, I look at a really shabby piece of reportage in GQ Magazine on ArtPrize, the annual public art competition in Grand Rapids, Mich. Grand Rapids is also where the Acton Institute is based and it’s a terrific Midwestern city doing a lot of things right. But when East Coast writer Matthew Power visited GR he saw only “flyover country,” a “provincial” mindset, “G.R.-usalem” (lots of churches) and “ordinary” local inhabitants.
You know where this is going. I say:
Ultimately, Power gets to his main point, which readers could easily anticipate as leveling a charge of what is perceived as the only sin known to Western Civilization by East Coast writers of a particular persuasion: hypocrisy. For it seems Rick DeVos’ parents fund free-market (including the Mackinac Center) and conservative Christian causes, and young Rick’s motivations are judged negatively by Power’s perceived “sins” of DeVos’ mere et pere and the causes they fund.
“To some of the [DeVos] family’s detractors, the millions in soft money and the funding of conservative Christian organizations suggest more ambitious goals: an end to nearly all government control and regulation, media, education … and the arts,” Power cavils. “Whatever their motives, it seemed odd that a family with such an agenda would let its heir apparent throw open the gates to its city in an open call to any and all artists, not matter how starving or unwashed.”
Power notes that the Acton Institute, a beneficiary of DeVos monies, “has advocated for the abolition of public funding for contemporary art” when, in fact, Acton has no official position whatsoever on the matter. True, some Acton articles and blog posts (several written by your author) take issue with public funding for art, arguing along with Jacques Barzun that the practice results in a “surfeit of fine art” (and I would argue strenuously against DeVos applying for and accepting a $100,00 National Endowment for the Arts grant for ArtPrize, as the businesses benefitting most from the competition could easily pony up the relatively insignificant amount) but, again, my opinions and for that matter the free-market ideology of Mr. DeVos’ parents hardly are germane to a story that merely aims to discredit ArtPrize by any means necessary.
Power winds up his Grand Rapids’ hit piece with interviews with the losers, apparently cheesed off that the public judging was insufficient to their superior aesthetic concepts and artistic execution. But, of course, that’s to be expected.
Read “GQ Hit Piece on GR ArtPrize” at the Mackinac Center.