The newest Star Wars film, ‘Rogue One: A Star Wars Story,’ has enjoyed a box office success of more than $700 million since its release and generally positive reviews from fans and critics alike. The film series has a mythic quality for many, offering stories of heroism, betrayal, virtue, pride, and even spirituality.
At First Things this week, Marc Barnes offers a decent analysis of the different developments of how the Force in particular — the main religious element of the films — is depicted throughout the different Star Wars movies. He’s particularly critical of the prequel trilogy for their “secularization of the Force,” offering a naturalistic explanation (the much-maligned “midi-chlorians”) and treating it like technology or magic.
By contrast, he praises the new films, especially Rogue One, for restoring religious reverence the Force: “If the prequels scooped the sacred from the Force by biologizing and technologizing it, Rogue One returns it by spiritualizing and refusing to use the Force.”
All this has merit, but I actually thought that Rogue One in particular represents a third depiction of the Force, in some ways equally contradictory to the original trilogy or Episode VII. (more…)